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Francis Bacon and his secret society - Grand Lodge of Colorado

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190 FRANCIS BACON<br />

In the Anatomy <strong>of</strong> Melancholy, the author (<strong>Bacon</strong>, as we<br />

believe) says that "poetry <strong>and</strong> beggary are Gemini, twin- born<br />

brats, inseparable companions.<br />

"And to t<strong>his</strong> day is every scholar poor:<br />

Gross gold from thein runs headlong to the boor."<br />

And now we come to dramatic poesy, a section which <strong>Bacon</strong><br />

seems carefully to have omitted in the English edition <strong>of</strong> the<br />

Advancement <strong>of</strong> Learning. That edition would, during bis own<br />

lifetime, be chiefly read by <strong>his</strong> own* countrymen, <strong>and</strong> might<br />

draw attention to <strong>his</strong> connection with the dran\a <strong>and</strong> stage<br />

plays, arts which, as we have seen, he held to be <strong>of</strong> the highest<br />

value <strong>and</strong> importance, although in <strong>his</strong> time corrupt, degraded,<br />

plainly neglected, <strong>and</strong> esteemed but as toys.<br />

" Dramatic poesy, which has the theatre for its world, would<br />

be <strong>of</strong> excellent use ificell directed. For the stage is capable <strong>of</strong><br />

no small influence, both <strong>of</strong> discipline <strong>and</strong> <strong>of</strong> corruption. Now.<br />

<strong>of</strong> corruptions in t<strong>his</strong> kind we have had enough; but the discipline<br />

has, in our times, been plainly neglected. And though<br />

in modern states play-acting is esteemed but as a toy, exec] it<br />

when it'is too satirical <strong>and</strong> biting, yet among the ancients it was<br />

used as a means <strong>of</strong> educating men's minds to virtue. Nay, it<br />

has been regarded by learned men <strong>and</strong> great philosophers as a<br />

kind <strong>of</strong> musician's bow, by which men's minds may be pla\ ed.<br />

upon. And certainly it is most true, <strong>and</strong> one <strong>of</strong> the great<br />

<strong>secret</strong>s <strong>of</strong> nature, that the minds <strong>of</strong> men are more open to<br />

impressions <strong>and</strong> affections when many are gathered together,<br />

than when they are alone." 1<br />

He returns to the subject later on, in connection with rhetoric<br />

<strong>and</strong> other arts <strong>of</strong> transmitting knowledge:<br />

" It will not be amiss," he says, " to observe that even mean<br />

faculties, when they fall into great men or great matters, work<br />

great <strong>and</strong> important effects. Of t<strong>his</strong> I will bring forward an<br />

example worthy to be remembered, the more so because the<br />

Jesuits appear not to despise t<strong>his</strong> kind <strong>of</strong> discipline, therein<br />

judging, as I think, well.<br />

It is a thing indeed, if practised pr<strong>of</strong>essionally,<br />

<strong>of</strong> low repute; but if it be made a part <strong>of</strong> discipline<br />

it is <strong>of</strong> excellent use. I mean stage playing — an art which<br />

,f 1 1\ r.gthens the memory, regulates the tone <strong>and</strong> effect <strong>of</strong> the<br />

IDeAug. ii. 13.

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