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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SECRET SOCIETY. 139<br />

His object, evidently, is to get the young doctor <strong>of</strong> law (probably<br />

a member <strong>of</strong> <strong>his</strong> <strong>secret</strong> <strong>society</strong>) out <strong>of</strong> the difficulties into<br />

which he had fallen through <strong>his</strong> complicity in the publication <strong>of</strong><br />

a political squib against tyranny, which <strong>Bacon</strong> was well aware<br />

that Dr. Hayward did not write.<br />

Does no one think it strauge that <strong>Francis</strong> <strong>Bacon</strong> should have<br />

told the Queen that the finest passages in Richard II. are taken<br />

from Cornelius Tacitus <strong>and</strong> translated into Euglish in that text,<br />

<strong>and</strong> yet that no commentator on Shakespeare, no student <strong>of</strong> Tacitus,<br />

should have been at the paius <strong>of</strong> pointing out these passages?<br />

They must be cleverly used, to be so indistinguishable to these<br />

learned readers, for they are there.<br />

And is it to be taken as a mere matter <strong>of</strong> course that <strong>Bacon</strong>,<br />

who as a rule mentions himself so little, should have recorded<br />

t<strong>his</strong> scene <strong>and</strong> <strong>his</strong> own speech amongst <strong>his</strong> collection <strong>of</strong> witty<br />

sayings, when that speech (which is not very witty) would have<br />

had no point if it had not been true?<br />

And we ask again, Did it not appear strange to Queen Elizabeth<br />

that <strong>Bacon</strong> should shew such intimate knowledge <strong>of</strong> the<br />

sources from which some <strong>of</strong> the chief passages in Richard II.<br />

were derived— a knowledge beyond any which has been displayed<br />

by the most learned <strong>and</strong> authentic Shakespeare societies<br />

which have existed until now?<br />

These episodes about Dr. Hayward's tract <strong>and</strong> the play <strong>of</strong><br />

Richard II. incline us to a conviction, which is strengthened by<br />

other evidence, that Queen Elizabeth had a very shrewd suspicion,<br />

if not an absolute knowledge, that <strong>Francis</strong> <strong>Bacon</strong> was intimately<br />

connected with the revival <strong>of</strong> the stage in her times.<br />

Sometimes it almost seems as if she had a still deeper acquaintance<br />

with the aims <strong>and</strong> objects <strong>of</strong> <strong>his</strong> life; that sometimes she<br />

disapproved, <strong>and</strong> was only kept from venting upon him all the<br />

vials <strong>of</strong> her wrath, first by her strong esteem <strong>and</strong> regard for <strong>his</strong><br />

father, Sir Nicholas <strong>Bacon</strong>, <strong>and</strong> secondly, by her admiration <strong>of</strong><br />

<strong>Francis</strong> <strong>Bacon</strong> himself.<br />

It seems not impossible that the Queen's<br />

reverence for Sir Nicholas may have been increased by her<br />

knowledge <strong>of</strong> <strong>his</strong> schemes for the revival <strong>of</strong> learning, <strong>and</strong> she<br />

may have known, probably did know, that it was the aim <strong>of</strong> the

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