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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SECRET SOCIETY. 321<br />

la the Bible horns are frequently used as emblems <strong>of</strong> pushing<br />

<strong>and</strong> conquest. Tbey are, as we see on the Nineveh marbles at<br />

the British Museum, signs <strong>of</strong> prophet, priest, <strong>and</strong> king. In many<br />

emblem pictures the idea <strong>of</strong> omnipotence is so mixed up with<br />

the further god-like attributes <strong>of</strong> omniscience, omnipresence,<br />

<strong>and</strong> universal beneficence, that it is <strong>of</strong>ten difficult to decide<br />

whether the design is most suggestive <strong>of</strong> the horns <strong>of</strong> power, the<br />

rays <strong>of</strong> spiritual <strong>and</strong> intellectual light, or the cornucopia) <strong>of</strong><br />

Abundance. Sometimes serpents or serpentine lines found in<br />

connection with the bull, the cross, <strong>and</strong> the anchor are (especially<br />

in connection with wood-cuts) so rendered as to suggest the<br />

same mixed symbolism.<br />

To the mystics in India <strong>and</strong> Greece, as well as to the ecclesiastics<br />

<strong>of</strong> the middle ages, <strong>and</strong> the philosophers <strong>of</strong> the sixteenth<br />

<strong>and</strong> seventeenth centuries, the serpent <strong>of</strong> eternity was the sign<br />

<strong>of</strong> God, the Holy Spirit. The symbol is retained in the stained<br />

glass <strong>of</strong> our church windows, <strong>and</strong> in emblematic designs from<br />

the Apocalypse, where St. John the Divine is distinguished by<br />

the chalice whence issues the serpent, typifying wisdom, or reason<br />

<strong>and</strong> speech, the gifts <strong>of</strong> the Spirit.<br />

In the caduceus <strong>of</strong> Mercury, whilst the symbolism is somewhat<br />

changed, the idea is similar. The rod is said formerly to have<br />

been a scroll or ancient book, <strong>and</strong> the two serpents entwined round<br />

it typify everlasting wisdom. It is likewise the emblem <strong>of</strong> peace<br />

for Mercury (according to pagan mythology), finding two serpents<br />

fighting, reconciled them by a touch <strong>of</strong> <strong>his</strong> w<strong>and</strong>, <strong>and</strong> thenceforward<br />

bore t<strong>his</strong> symbol <strong>of</strong> reconciliation. T<strong>his</strong> is held to figure<br />

the harmonising force <strong>of</strong> religion, which can tame even the venomous<br />

<strong>and</strong> cold-blooded snakes. The same line <strong>of</strong> thought may<br />

be followed up in <strong>Bacon</strong>'s Essay <strong>of</strong> Orpheus, <strong>and</strong> in other places<br />

where he expounded <strong>his</strong> own views <strong>of</strong> the best methods for<br />

" tuning discords to a concord."<br />

The old bugle mark, <strong>of</strong> which innumerable instances are found<br />

in old letters <strong>and</strong> MS. books, <strong>and</strong> which is in use at the present day,<br />

seems to have been originally derived from the bull <strong>and</strong> <strong>his</strong> horns.<br />

In the first instance, associated with the conception <strong>of</strong> the Sui

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