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Francis Bacon and his secret society - Grand Lodge of Colorado

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AND HIS SECRET SOCIETY. 185<br />

that " Poesy has produced a vast body <strong>of</strong> art, considered, not to<br />

the matter <strong>of</strong> it, but to the form <strong>of</strong> words. " All words, no matter,<br />

nothing from the heart ! i Is t<strong>his</strong> all that can be said for the<br />

poetry <strong>of</strong> an age which produced the Faerie Queene, The Shepherd's<br />

Calendar, the Shakespeare plays, poems <strong>and</strong> sonnets, the<br />

works <strong>of</strong> Ben Jonson, Marlowe, Middleton, Chapman, Webster,<br />

the hymns <strong>and</strong> spiritual songs <strong>of</strong> Herbert, Quarles, Withers,<br />

Cowley, Crashaw, <strong>and</strong> a host <strong>of</strong> " minor poets " ? Are we to<br />

believe that <strong>Bacon</strong> included these in <strong>his</strong> vast body <strong>of</strong> art<br />

considered, not in regard to the matter, but to the words <strong>of</strong> it?<br />

Poetry to be lovely must have matter as well as art. It should<br />

be the spontaneous overflow <strong>of</strong> a full mind, stored to the brim<br />

with " true <strong>his</strong>tory," with a knowledge <strong>of</strong> nature, <strong>and</strong> especially<br />

<strong>of</strong> human nature; for " by Poesy," says <strong>Bacon</strong>, " I mean here<br />

nothing else than feigned <strong>his</strong>tory."* Shakespeare formed the same<br />

estimate <strong>of</strong> true poetry:<br />

Audrey. I do not know what poetical is ; ... is it a true thing ?<br />

Touchstone. No, truly, for the truest poetry is the most feigning, <strong>and</strong> what they<br />

swear in poetry may be said, as lovers, they do feign. ... If thou wert a poet,<br />

I might have some hope thou didst feign 1 3<br />

<strong>Bacon</strong> reminds us more than once <strong>of</strong> all that poets feign± in<br />

their <strong>his</strong>tories, but he fails not to show that " all invention " or<br />

imaginative power " is but memory, " <strong>and</strong> that " a man is only<br />

what he knows." In vain would weaker wits endeavour to persuade<br />

us that " reading <strong>and</strong> writing come by nature," or that a<br />

man can write well about matters concerning which he can<br />

never have had the opportunity <strong>of</strong> duly informing himself.<br />

Poesy, indeed, being " free <strong>and</strong> licensed, may at. pleasure make<br />

unlawful matches <strong>and</strong> divorces <strong>of</strong> things," but the poet must be<br />

acquainted with those things before he can either match or<br />

divorce them.<br />

l Compare<br />

" "Who will for a tricksy word defy the matter:'' (Merchant <strong>of</strong><br />

iii. 5 "<br />

) More rich 'in matter than in words." {Borneo <strong>and</strong> Juliet, li. 6.)<br />

Venice, m. o) ju.uiciu.iv m« m.u.no»

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