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II<br />

NATURE S SYMBOI.S. ge,<br />

symbols, highly suggestive as it is, equally in the spiritual, physiological,<br />

and cosmological sense. Therefore, it is found in every worldtheogony,<br />

where it is largely associated with the serpent symbol, the<br />

latter being everywhere, in philosophy as in religious S)^mbolism, an<br />

emblem of etemitj-, infinitude, regeneration, and rejuvenation, as well<br />

as of wisdom.<br />

The mystery of apparent self-generation and evolution<br />

through its own creative power, repeating in<br />

miniature, in the egg, the<br />

process of cosmic evolution—both due to heat and moisture under the<br />

efflux of the unseen creative spirit—fully justified the selection of this<br />

graphic symbol. The "Virgin-Egg" is the microcosmic symbol of the<br />

macrocosmic prototype, the " Virgin Mother"—Chaos or the Primeval<br />

Deep. The male creator (under whatever name) springs forth from<br />

the virgin female, the Immaculate Root fructified by the Ray. Who, if<br />

versed in astronomy and natural sciences, can fail<br />

to see its suggestiveness<br />

Kosmos, as receptive Nature, is an egg fructified—yet left<br />

immaculate ; for once regarded as boundless, it could have no other<br />

representation than a spheroid. The Golden Egg was surrounded by<br />

seven natural Elements, " four readj^ [ether, fire, air, water], three<br />

secret." This may be found stated in Vishnu Pu-dna, where elements<br />

are translated "envelopes," and a secret one is added—Ahamkara.* The<br />

original text has no Ahamkara; it mentions seven Elements without<br />

specifying the last three.<br />

STANZA l\l.—Co7itinued.<br />

4. The Three \ fall into the Four X The Radiant Essence<br />

BECOMES Seven inside, Seven outside (a). The Luminous Egg, §<br />

WHICH IN itself IS ThREE,|| CURDLES AND SPREADS IN MILK-WHITE<br />

Curds throughout the Depths of Mother, the Root that grows<br />

IN THE Depths of the Ocean of Life (b).<br />

The use of geometrical figures and the frequent allusions to figures in<br />

all ancient scriptures, as in the Purayias, the Egyptian Book of the Dead<br />

and even the Bible—must be explained.<br />

Kabalah, there are two kinds of numerals to<br />

often<br />

In the Book of Dzyan, as in the<br />

be studied—the Figures,<br />

simple blinds, and the Sacred Numbers, the values of which are<br />

• Wilson, Vishnu Piirdna, I. 40.<br />

t Triangle.<br />

X Quatemarj-.<br />

} Hirauyagarbha.<br />

The three hypostases of Brahma, or Vishnu, the three Arasthas.

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