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THE MYSTERY L,ANGUAGE. 327<br />

was known and made use of on the continent of North America,<br />

even prior to<br />

the knowledge of the same by the descending Semites<br />

The peculiarity of this language was that it could be contained in another,<br />

concealed and not to be perceived, save through the help of special instruction;<br />

letters and syllabic signs possessing at the same time the powers or meanings<br />

of numbers, of geometrical shapes, pictures, or ideographs and symbols,<br />

the designed scope of which would be determinatively helped out by parables in<br />

the shape of narratives or parts of narratives; while also it could be set forth<br />

separately, independently, and variously, by pictures, in stone work, or in earth<br />

constructions.<br />

To clear up an ambiguity as to the term language:<br />

Primarily the word means<br />

the expression of ideas by human speech ; but, secondarily, it may mean the<br />

expression of ideas by any other instrumentality. This old language is so composed<br />

in the Hebrew text, that by the use of the written characters, which uttered<br />

shall be the language first defined, a distinctly separated series of ideas may be intentionally<br />

communicated, other than those ideas expressed by the reading of the<br />

sound-signs. This secondary language sets forth, under a veil, series of ideas,<br />

copies in imagination of things sensible, which may be pictured, and of things<br />

which may be classed as real without being sensible: as, for instance, the number<br />

9 may be taken as a reality, though it has no sensible existence, so also a revolution<br />

of the moon, as separated from the moon itself by which that revolution has been<br />

made, may be taken as giving rise to, or causing a real idea, though such a revolution<br />

has.no substance. This idea-language may consist of symbols restricted to<br />

arbitrary terms and signs, having a very limited range of conceptions, and quite<br />

valueless, or it may be a reading of nature in some of her manifestations of a value<br />

almost immeasurable, as regards human civilization. A picture of something<br />

natural may give rise to ideas of coordinating subjects, radiating out in various<br />

and even opposing directions, like<br />

the spokes of a wheel, and producing natural<br />

realities in departments very foreign to the apparent tendency of the reading of the<br />

first or starting picture. Notion may give rise to connected notion, but if it does,<br />

then, however apparently incongruous, all resulting ideas must spring from the<br />

original picture and be harmonically connected, or related the one with the other.<br />

Thus with a pictured idea radical enough, the imagination of the cosmos itself,<br />

even in its details of construction, might result. Such a use of ordinary language is<br />

now obsolete, but it has become a question with the writer whether at one time,<br />

far back in the past, it, or such, was not the language of the world and of universal<br />

use, possessed, however, as it became more and more moulded into its arcane forms,<br />

by a select class or caste. By this I mean that the popular tongue or vernacular<br />

commenced even in its origin to be made use of as the vehicle of this peculiar<br />

mode of conveying ideas. Of this the evidences are very strong; and, indeed, it<br />

would seem that in the history of the human race there happened, from causes<br />

which at present, at any rate, we cannot trace, a lapse or loss from an original<br />

perfect language and a perfect system of science—shall we say perfect because they<br />

were of divine origin and importation *<br />

• From an MS.

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