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THE EVOLUTION OF SYMBOLISM.<br />

SECTION I.<br />

Symbolism and Ideographs.<br />

Is not a symbol ever, to him who has eyes for it, some dimmer or clearer revelation of the Godlike<br />

. . . Through all . . . there glimmers something of a Divine Idea. Nay, the highest<br />

ensign that men ever met and embraced under, the cross itself, had no meaning, save an accidental<br />

extrinsic one.<br />

Carlyle.<br />

The study of the hidden meaning in every religious and profane<br />

legend, of whatsoever nation, large or small, and preeminently in the<br />

traditions of the Kast, has occupied the greater portion of the present<br />

writer's life.<br />

She is one of those who feel convinced that no mythological<br />

stor5', no traditional event in the folk-lore of a people, has ever,<br />

at any time, been pure fiction, but that every one of such narratives<br />

has an actual historical lining to it. In this the writer disagrees with<br />

those symbologists, however great their reputation, who find in everymyth<br />

nothing more than additional proof of the superstitious bent of<br />

mind of the Ancients, and who believe that all mythologies sprang<br />

from, and are built upon, solar myths. Such superficial thinkers have<br />

been admirably disposed of by Mr. Gerald Massey, the poet and<br />

Eg>^ptologist, in a lecture on "Luniolatry, Ancient and Modern." His<br />

pointed criticism is worthy of reproduction in this part of our work, as<br />

it echoes so well our own feelings, expressed openly so far back as<br />

1875, when Jsis Unveiled ^zs. written.<br />

For thirty years past Professor Max Miiller has been teaching in his books and<br />

lectures, in the Times, Saturday Review, and varioiis magazines, from the platform

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