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KVPT’s Patan Darbar Earthquake Response Campaign - Work to Date - September 2016

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Bal Krishna Shilpakar, carpenter, age: 48<br />

Together with his family, Bal Krishna Shilpakar lives in<br />

the area of Dudhpati in Bhaktapur. Carpentry has been<br />

his family trade for generations. His father, Krishna<br />

Bhakta Shilpakar, worked as a carpenter for the Bhaktapur<br />

Development Project in the early 1980s. He has been<br />

working at the workshop in <strong>Patan</strong> since February <strong>2016</strong>.<br />

At the time of the interview he was working on joining<br />

two pieces of a broken cornice of South Manimaṇḍapa.<br />

Bal Krishna Shilpakar repairs the<br />

lotus frieze of Harishankara temple.<br />

Prem Shilpakar, Woodcarver, age 32<br />

Prem Shilpakar lives in Nãsaḥmanā, Bhaktapur with<br />

his wife and children. He has been working as a carver<br />

for sixteen years and worked as a carpenter before he<br />

learned carving at a local carving workshop. Carpentry is<br />

his family trade. At the time of the interview, his father<br />

was preparing the chariot for Bisket Jatra, Bhaktapur’s<br />

extensive annual urban ritual celebrating the beginning<br />

of the New Year (Nep. Bikram Samvat). Approximately<br />

one month before the beginning of the festival, the<br />

chariot is assembled on Taumadhi Square in Bhaktapur.<br />

According <strong>to</strong> Prem Shilpakar, his family isused <strong>to</strong> be one<br />

of five families making the chariot but now only his family<br />

continues this tradition. His father’s brother, Ramesh<br />

Shilpakar, also works as woodcarver. Prem Shilpakar<br />

feels that the skill of carving and carpentry is not highly<br />

valued and is considered a low level work by Nepalese<br />

society. He joined the workshop under the aegis of<br />

KVPT in December 2015. At the time of the interview<br />

he was copying a window column (Nev. tvalãthã) of<br />

South Manimaṇḍapa in order <strong>to</strong> replace the damaged<br />

original. The surviving counterpart served as the model<br />

for the new element.<br />

Prem Shilpakar, transferring the<br />

pattern of a window colonnette<br />

(Nev. tvalãthã) for South<br />

Manimaṇḍapa with a pencil on<strong>to</strong><br />

a new piece of timber.<br />

269

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