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KVPT’s Patan Darbar Earthquake Response Campaign - Work to Date - September 2016

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In the summer, more than 20,000 <strong>to</strong>urists visit the cathedral<br />

daily. In 1996 the cathedral was included in the<br />

World Heritage List.<br />

Healing a wound, regaining “heavenly perfection”<br />

On 3 November 1943 a bomb hit an abutment of the<br />

cathedral’s northern <strong>to</strong>wer. By the end of the year, the<br />

site was cleared and 27,500 bricks used <strong>to</strong> fill the gap<br />

<strong>to</strong>rn by the impact of the bomb (Fig. 6. 7). The brickwork<br />

was nicknamed “die Plombe”, the German word<br />

for a <strong>to</strong>oth filling. Involved in the work of filling the<br />

gap were army personnel, ten prisoners of war, and 20<br />

“convicts”, a euphemism for inmates of an outpost of<br />

the Buchenwald concentration camp. Remarkably, two<br />

fragments of the abutment were retrieved from the rubble<br />

and incorporated in<strong>to</strong> the brickwork as spolia.<br />

For the next half century, this “emergency repair” was<br />

the subject of heated debate. One party insisted on the<br />

maintenance and preservation of the “filling” in memory<br />

of the “inferno of the Second World War”, while the other<br />

side demanded that “the venerable face” of the edifice<br />

be res<strong>to</strong>red. This discussion came <strong>to</strong> an end in the mid-<br />

1990s when the lower end of the abutment was consolidated<br />

and the master builder of the cathedral announced<br />

his intention <strong>to</strong> remove the filling. His<strong>to</strong>rians argued<br />

that this “evidence” of the Second World War was still<br />

needed as “a monument and memorial.” In 1995, the<br />

master builder, Arnold Wolff, was of a different opinion<br />

and finally resolved <strong>to</strong> submit a formal application for<br />

permission <strong>to</strong> act in accordance with the conservation<br />

law. He argued that the cathedral is first of all a church,<br />

“a house of God and a place of worship”, which should<br />

not be misappropriated for alien purposes. In his view,<br />

the march of time would ultimately make it impossible<br />

for uninformed visi<strong>to</strong>rs <strong>to</strong> understand why there should<br />

be brickwork on a sands<strong>to</strong>ne church. More importantly,<br />

the <strong>to</strong>tality of the cathedral, regarded as a “work of art”<br />

(Gesamtkunstwerk), would lose “an important part of its<br />

identity” if “traces of its his<strong>to</strong>ry are valued higher than<br />

the meaning invested in the edifice by the original builders.”<br />

According <strong>to</strong> Wolff, the wholeness and integrity of<br />

the cathedral constitute its “inner essence”.<br />

The master builder also emphasized that the builders<br />

of Gothic cathedrals aimed at the highest possible perfection.<br />

Taking in<strong>to</strong> account the inadequacies of earthly<br />

life, at least the building of a church should mirror<br />

“heavenly perfection”. Criticizing the cathedral building<br />

for attempting <strong>to</strong> create the illusion of a perfect world<br />

was considered an unsubstantiated accusation.<br />

In March 1996 building permission was granted; actual<br />

work on the site started in 2004 and was completed<br />

by August 2005 (Fig. 8). 103 cubic meters of sands<strong>to</strong>ne<br />

were built in<strong>to</strong> the structure. 823 s<strong>to</strong>nes were cut <strong>to</strong> size,<br />

and 124 sophisticated sculptural elements such as capitals,<br />

finials, and crabs were fashioned.<br />

6,7,8<br />

Cologne Cathedral. In November<br />

1943 the abutment of the northern<br />

<strong>to</strong>wer was hit by a bomb; the gap<br />

was filled with bricks. In 2008<br />

the “<strong>to</strong>oth filling” (Plombe) was<br />

removed <strong>to</strong> res<strong>to</strong>re the abutment<br />

in Gothic style in order <strong>to</strong> regain<br />

“heavenly perfection”.<br />

Source: Postcard Ziethen-Verlag, ca.<br />

1995, and Schock-Werner, 2005<br />

33

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