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George Bush: The Unauthorized Biography - Get a Free Blog

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more singular hobbies Suetonius includes his love of rolling and wallowing in piles of<br />

gold coins.<br />

Caligula kept his wife, Caesonia (described by Suetonius as "neither beautiful nor<br />

young") with him until the very end. But his greatest devotion was to his horse, whom he<br />

made consul of the Roman state. Ultimately Caligula fell victim to a conspiracy of the<br />

Praetorian Guard, led by the tribune Gaius Chaerea, a man whom Caligula had taken<br />

special delight in humiliating. [fn 13]<br />

<strong>The</strong> authors of the present study are convinced that these references to the depravity of<br />

the Roman Emperors, and to the records of that depravity provided by such authors as<br />

Tacitus and Suetonius, are directly germane to our present task of following the career of<br />

a member of the senatorial class of the Anglo-American elite through the various stages<br />

of his formation, apprenticeship, intrigues, and ultimate ascent to imperial power. <strong>The</strong><br />

Roman Imperial model is germane because the American ruling elite of today is far<br />

closer to the world of Tiberius and Caligula than it is to the world of the American<br />

Revolution or the Constitutional Convention of 1789. <strong>The</strong> leitmotiv of modern American<br />

presidential politics is unquestionably an imperial theme, most blatantly expressed by<br />

<strong>Bush</strong> in his slogan for 1990, "<strong>The</strong> New World Order," and for 1991, the "pax<br />

universalis." <strong>The</strong> central project of the <strong>Bush</strong> presidency is the creation and consolidation<br />

of a single, universal Anglo-American (or Anglo-Saxon) empire very directly modelled<br />

on the various phases of the Roman Empire.<br />

<strong>The</strong>re is one other aspect of the biographical-historical method of the Graeco-Roman<br />

world which we have sought to borrow. Ever since Thucydides composed his<br />

monumental work on the Peloponnesian war, those who have sought to imitate his style -<br />

-with the Roman historian Titus Livius prominent among them-- have employed the<br />

device of attributing long speeches to historical personages, even when it appears very<br />

unlikely that such lengthy orations could have been made by the protagonists at the time.<br />

This has nothing to do with the synthetic dialogue of current American political writing,<br />

which attempts to present historical events as a series of trivial and banal soap-opera<br />

exchanges which carry on for such interminable lengths as to suggest that the authors are<br />

getting paid by the word. Our idea of fidelity to the classical style has simply been to let<br />

<strong>George</strong> <strong>Bush</strong> speak for himself wherever possible, through direct quotation. We are<br />

convinced that by letting <strong>Bush</strong> express himself directly in this way, we afford the reader a<br />

more faithful-- and damning-- account of <strong>Bush</strong>'s actions.<br />

<strong>George</strong> <strong>Bush</strong> might agree that "history is biography," although we suspect that he would<br />

not agree with any of our other conclusions. <strong>The</strong>re may be a few peculiarities of the<br />

present work as biography that are worthy of explanation at the outset.<br />

One of our basic theses is that <strong>George</strong> <strong>Bush</strong> is, and considers himself to be, an oligarch.<br />

<strong>The</strong> notion of oligarchy includes first of all the idea of a patrician and wealthy family<br />

capable of introducing its offspring into such elite institutions as Andover, Yale, and<br />

Skull and Bones. Oligarchy also subsumes the self- conception of the oligarch as<br />

belonging to a special, exalted breed of mankind, one that is superior to the common run

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