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George Bush: The Unauthorized Biography - Get a Free Blog

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overtones of "Read My Lips- No New Taxes." <strong>The</strong> other themes reflected Atwater's<br />

studies of how to drive up the negatives of <strong>Bush</strong>'s Democratic opponent, who would be<br />

Massachusetts Governor Dukakis. Very early on, <strong>Bush</strong> began to harp on Dukakis's veto<br />

of a bill requiring teachers to lead their class each day in the pledge of allegiance.<br />

Speaking in Orange County, California on June 7, <strong>Bush</strong> said: "I'll never understand, when<br />

it came to his desk, why he vetoed a bill that called for the pledge of allegiance to be said<br />

in the sschools of Massachusetts. I'll never understand it. We are one nation under God.<br />

Our kids should say the pledge of allegiance." [fn 35]<br />

This theme lent itself very well to highly cathexized visual portrayal, with flags and<br />

bunting. Atwater was assisted in these matters by Roger Ailes, a television professional<br />

who had been the executive producer of the Mike Douglas Show by the time he was 27<br />

years old. That was in 1967, when he was hired by Richard Nixon and Leonard Garment.<br />

Ailes had been one of the most cynical designers of the selling of the president in 1968,<br />

and he had remained in the political media game ever since. Between them, Atwater and<br />

Ailes would produce the modern American television equivalent of a 1930's Nurmeburg<br />

party rally.<br />

At about this time, the <strong>Bush</strong> network we have seen in operation at the Reader's Digest<br />

since the 1964 campaign conveniently printed an article about a certain Willie Horton, a<br />

black convicted murderer who was released from a Masschusetts jail on a furlough, and<br />

then absconded to Maryland, where he raped a white woman and stabbed her fiance. <strong>The</strong><br />

Massachusetts furlough program had been started by Republican Governor Frank<br />

Sargent, but this meant nothing. <strong>Bush</strong> was to use Willie Horton in the same way that<br />

Hitler and the Nazis exploited the grisly crimes of one Harmann, a serial killer in<br />

Germany of the early 1930's, in their calls for law and order. In Illinois in mid-June, <strong>Bush</strong><br />

began to talk about how Dukakis let "murderers out on vacation to terrorize innocent<br />

people." "Democrats can't find it in their hearts to get tough on criminals," <strong>Bush</strong> ranted.<br />

"What did the governor of Massachusetts think he was doing when he let convicted firstdegree<br />

murderers out on weekend passes, even after one of them criminally, brutally<br />

raped a woman and stabbed her fiance? Why didn't he admit his mistake? Eight months<br />

later, he was still defending his program, and only when the Massachusetts legislature<br />

voted by an overwhelming majority to abolish this program did he finally give in. I think<br />

Governor Dukakis owes the American people an explanation of why he supports this<br />

outrageous program."<br />

As packaged by <strong>Bush</strong>'s handlers, it was throughly racist without being nominally so, like<br />

Nixon's "crime in the streets" shorthand for racist backlash during the 1968 campaign.<br />

Later, <strong>Bush</strong> would embroider this theme with his demand for the death penalty, his own<br />

Final Solution to the problem of criminals like Willie Horton. <strong>The</strong>se themes fit very well<br />

into the standard <strong>Bush</strong> campaign event, which was very often <strong>Bush</strong> appearing before a<br />

local police department to receive their endorsement. <strong>Bush</strong>'s ability to organize these<br />

events in places like Boston, to the great embarrassment of Dukakis, doubtless reflected<br />

strong support from the CIA Office of Security, which was the bureau that kept in contact<br />

with police departments all over the country and, inevitably, infiltrated them.

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