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RePoSS #11: The Mathematics of Niels Henrik Abel: Continuation ...

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This dissertation was submitted to the Faculty <strong>of</strong> Science,<br />

University <strong>of</strong> Aarhus in March 2002 for the purpose <strong>of</strong> ob-<br />

taining the scientific PhD degree. It was defended in a public<br />

PhD defense on May 3, 2002. A second, only slightly revised<br />

edition was printed October, 2004.<br />

<strong>The</strong> PhD program was supervised by associate pr<strong>of</strong>essor<br />

KIRSTI ANDERSEN, History <strong>of</strong> Science Department, Univer-<br />

sity <strong>of</strong> Aarhus.<br />

Pr<strong>of</strong>essors UMBERTO BOTTAZZINI (University <strong>of</strong> Palermo,<br />

Italy), JEREMY J. GRAY (Open University, UK), and OLE<br />

KNUDSEN (History <strong>of</strong> Science Department, Aarhus) served<br />

on the committee for the defense.<br />

c○ <strong>Henrik</strong> Kragh Sørensen and the History <strong>of</strong> Science De-<br />

partment (Department <strong>of</strong> Science Studies), University <strong>of</strong><br />

Aarhus, 2002–2010.<br />

<strong>The</strong> dissertation was typeset in Palatino using pdfLATEX.<br />

First edition (March 2002, 7 copies) was copied and bound<br />

by the Printshop at the Faculty <strong>of</strong> Science, Aarhus.<br />

Second edition (October 2004, 5 copies) was printed and<br />

bound by the Printshop at Agder University College, Kris-<br />

tiansand.<br />

This electronic edition was compiled on October 28, 2010.<br />

For further information, additions, corrections, and<br />

contact to the author, please refer to the website<br />

������������������������������.<br />

<strong>The</strong> picture on the front page is a painting <strong>of</strong> NIELS HENRIK<br />

ABEL performed by the Norwegian painter JOHAN GØRB-<br />

ITZ during ABEL’s time in Paris 1826. It is the only authentic<br />

depiction <strong>of</strong> ABEL and is reproduced from (Ore, 1957).<br />

<strong>The</strong> picture on the reverse shows a curlicue frequently used<br />

by ABEL in his notebooks to mark the end <strong>of</strong> manuscripts. It<br />

is reproduced from (Stubhaug, 1996).

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