08.01.2013 Views

PhotoPlus X2 User Guide - Serif

PhotoPlus X2 User Guide - Serif

PhotoPlus X2 User Guide - Serif

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

150 Layers and Masks<br />

To delete a mask:<br />

• Select the mask preview thumbnail and click the layer tab's Delete<br />

button. (Don't press the Delete key!)<br />

Editing on the mask<br />

In Edit Mask mode, you can use the full range of painting tools, selection options,<br />

flood and gradient fills, and effects to alter the mask's greyscale values. These<br />

manipulations cause corresponding changes in opacity, which in turn changes the<br />

appearance of the pixels on the layer itself (or on an adjustment layer, the intensity<br />

of the applied effect).<br />

Remember, as long as you are editing the mask, you're only seeing a preview of<br />

changes on the layer. No permanent changes will be applied until you actually<br />

merge the mask with the layer. You can switch out of Edit Mask mode at any time<br />

to work directly on the layer (or any other part of the image), then switch back to<br />

resume work on the mask.<br />

To edit the active layer's mask:<br />

• Click the Mask thumbnail, or check Edit Mask on the Layers menu. (Click the<br />

layer's bitmap thumbnail or uncheck the menu item to switch out of Edit<br />

Mask mode.)<br />

The image window's title bar shows "[MASK]," indicating that a mask is currently<br />

being edited. The Colour tab switches to Greyscale mode when you're editing a<br />

mask, and reverts to the previous setting when you exit Edit Mask mode. This<br />

means anything you paste from the Clipboard onto the mask will automatically be<br />

converted to greyscale.<br />

In Edit Mask mode, you're normally viewing not the mask, but rather the effects of<br />

changes "as if" you were making them on the layer below. Adding a Reveal All<br />

mask can be a bit confusing, because there's initially no evidence the mask is there<br />

at all (i.e. the layer appears exactly the same as it did before you added the mask)!<br />

It's sometimes helpful to switch on the View Mask setting, which hides the layer<br />

and lets you see only the mask, in all its greyscale glory. For example, a Reveal All<br />

mask appears pure white in View Mask mode—the white represents a clear mask<br />

with no effect on the underlying layer pixels' opacity. View Mask can also be useful<br />

in the latter stages of working on a mask, to locate any small regions that may have<br />

escaped your attention.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!