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ABRIR 3.2. La adolescencia - Biblioteca de la Universidad ...

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5.2. RIENTES SECUNDARIAS<br />

5.2.1 Estudios críticos sobre Truman Capote<br />

Ficción y Realidad en <strong>la</strong> obra <strong>de</strong> Truman Cavo/e<br />

ALGEO, A. M. [he coí¡rtroom cts’ /órurn: homici<strong>de</strong> trials by Dreiser,<br />

Wright> Capote, ant! Mai/er. New York: P. <strong>La</strong>ng,1996.<br />

ALLMENDIGER, B<strong>la</strong>ke. “The Room Was Locked, with the Key insi<strong>de</strong>:<br />

Female influence in Truman Capote’s “My Si<strong>de</strong> ofthe Matter”. En<br />

Smc/hes it, Short Fiction. South Carolina’s Newberry College, Vol<br />

24. No.3. Summer 1987: 279-288.<br />

ANDERSON, Chris. “Fiction, Nonfiction, and the Rhetoric of Silence: The<br />

Art ofTruman Capote”. En [¡heMit!west Quarterly. Pittsburg State<br />

University, Vol.28. No.3 Spring 1987: 340-353.<br />

BAKER, Carlos. “Deep South Gignol” [he New York [¡mes Book Review,<br />

18 Jan. 1948.<br />

BAKER, Carlos. “Nursery-Tales from Jitter Manor” ¡he New York Times<br />

BookReview, 27Feb.1949: 7,33.<br />

BREIT, Harvey. “Talk with Truman Capote.” [¡heNew York Times Book<br />

Review, 24 Feb. 1952: 29.<br />

BROWN, Tina. “Goodbye to the <strong>la</strong>dies who lunch” ¡‘he New York Times<br />

BookReview, 13 Sep. 1987:13.<br />

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