PARTIE 2 - Icomos

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Theme 2 Session 3 Models of urban development: examples in Bologna Figure 6. Portico of San Luca façade: the first arch called "Arco Bonaccorsi". determines the subsequent evolution of the fabric built on / adjacent to the porch. Consequently, the porch is transformed from initial connection of already built sites in a generation element of urban form and in an attractive element for new construction outside the walls, where development is characterized by a progressive densification of the built environment. The creation of these ramifications leads to a real interaction between city and land, as demonstrated by maps of Bologna of the late eighteenth century which show how places are perceived in relation to the road, which is seen as a fundamental place. The urban form is characterized by two linear structures of arcade systems complemented by small settlements scattered throughout the countryside and connected to the road they are accessed from. The first and uncontrolled urban development outside the walls will take place around these elements, which still are the regulatory centers of the urban system outside the center, as we still perceive and use it. Referring to the genesis of these cases, the age of Counter-Reformation leads to a religious extraordinary building activity, Sanctuaries are being renovated, expanded and enriched with art works, especially those devoted to Virgin Mary. Even the access roads are improved to encourage pilgrimages. This phenomenon is recorded throughout Italy and in Bologna the Portico of the Alemanni, built by the Carmelites between the city and port of the Church between 1619 and 1631, is emblematic. In the seventeenth century also began an ambitious building program to revive the devotion to the sanctuary of St. Luke. After the construction of the fifteen Mysteries of the Rosary Chapels which mark the ascension path, the plain part of the porch was built from 1674, while in 1715 also the hillside part was completed. The historical analysis of the subsequent evolution of the urban fabric that underlies the arcade is aimed to identify the various stages through which the building fabric has achieved the present physical substance, in order to reconstruct in retrospect the course. The historical analysis is necessary to understand the specific characters of these organisms which can not be categorized by schematic building types since they were determined by a spontaneous process of renovation, extension and elevation which is not explicitly related to an urban design. The study method was then set on the convergence of historical research, archival research, direct and indirect survey, aimed at the composition of a synthetic cognitive framework that can fully describe a strongly characterified urban complex, with recognizable formal identity as urban image part. Survey, drawings and photographs try to represent the image, supplemented by subsequent processing and conceptual graphics that complete the analytical framework, providing evidence of connection between reading and design, and consequently, providing means of analysis and intervention on the existing town. The survey has its own character and a specific method. The results of the survey should, in fact, represent not only the geometric form of the object, but also identify and describe the set of values and relationships between them. The survey was conducted, therefore, each time selecting methods and techniques of functional relevance to the individual actually investigated. The goal is to go beyond the limits of analytical tools of urban form based only on "formal stereotypes" of past forms. We have tried to highlight, on a visual and perceptive level, the "rules of the game" of these parts of the city by considering the city’s continuous evolution of image. As for the case studies it’s time to overcome the charm of their unique architecture, which led to 387 LE PATRIMOINE, MOTEUR DE DÉVELOPPEMENT HERITAGE, DRIVER OF DEVELOPMENT
Theme 2 Session 3 Models of urban development: examples in Bologna consider them as autonomous bodies, perceived as architectural emergencies and not as ordering tools of the town development. They are instead a traditional feature of the connotation of Bologna, an identifier of great importance, which covered almost all the urban and architectural evolution of the town and which, in part, led to its historical form. Figure 7. Intervention strategy. 388 LE PATRIMOINE, MOTEUR DE DÉVELOPPEMENT HERITAGE, DRIVER OF DEVELOPMENT
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THEME 2 introduction Président de
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THEME 2 introduction Theme Chair DE
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Theme 2 Session 1 INTRODUCTION Vice
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Theme 2 Session 1 ARTISANAT, METIER
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Theme 2 Session 1 Artisanat, métie
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Theme 2 Session 1 Maintien des pays
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Theme 2 Session 1 LES MAISONS À PA
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Theme 2 Session 1 Les maisons à pa
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Theme 2 Session 1 pluvieux. On pour
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Theme 2 Session 1 THE MACUTI HOUSE,
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Theme 2 Session 1 The Macuti House,
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Theme 2 Session 1 RAPPORT Rapporteu
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Theme 2 Session 2 INTRODUCTION Vice
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Theme 2 Session 2 HERITAGE CONSERVA
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Theme 2 Session 2 La pierre naturel
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Theme 2 Session 3 ECO-PLASTERS REVI
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Theme 2 Session 3 TABLE 2. Size dis
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Theme 2 Session 3 Une meilleure eff
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Theme 2 Session 3 NOUVELLE RÉFLEXI
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Theme 2 Session 3 Nouvelle réflexi
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Theme 2 Session 3 RAPPORT Rapporteu
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Theme 2 Session 3 REPORT ADAPTING T
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THEME 2 conclusion Président de Th
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les pratiques les plus durables, qu
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THEME 2 conclusion DEVELOPMENT OR A
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Annick DANEELS (La construction en
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PARTIE 2 - Icomos

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