PARTIE 2 - Icomos

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Theme 2 Session 3 From Continuity to Contrast: Diverse Approaches to Design in Historic Contexts The intention, from the outset of design, was to create a single building that establishes a dialogue between historic and contemporary architecture. This project restores the Music Building exterior, rebuilding original window sashes; cleaning and repairing decorative brick, terra cotta and bluestone masonry; and restoring the ornamental wood roof brackets and overhangs. The restoration resulted in a vibrantly colored structure that represents the original Architects’ design intent, and relates to the colored brick and terra cotta façades of the adjacent campus buildings, such as Frank Furness’ Fisher Fine Arts Library. The interior was renovated and upgraded structurally, mechanically, and acoustically, to accommodate administrative and faculty offices. Analysis of the existing building and façades established the conceptual framework for the design of the addition. Drawing on the materials of the existing building, the expansion introduces a similarly colored terra cotta rain screen system, generous expanses of glass with horizontal sun shades, and a metal cornice corresponding to the broad roof overhang. While the addition is sympathetic to the existing building in its massing, materiality, and rhythms, it contrasts the existing building’s traditional solidity with lightness and transparency; and as the pedestrian moves from 34th Street into the interior of the site, the openness of the addition increases. Now, music making is seen as well as heard, and the Department’s activities are visible to the entire University community. The addition also acknowledges new patterns of campus circulation, offering dynamic façades and new landscapes on all sides. The site design creates a new campus walkway with an outdoor terrace connecting the Engineering Green to 34th Street. This terrace and new Campus Green extend the University’s landscape tradition, linking to the historic pedestrian core of the campus and providing communal green space shared by the Music and Morgan Buildings. This project integrates multiple sustainable design elements and is the first LEED Gold building on the historic campus. The project exceeds energy standards with efficient lighting and controls, mechanical, and plumbing systems. Other sustainable features include passive stormwater management techniques; reduced site water use with planting material selection and “smart” controls that adjust irrigation based on rainfall levels; recycling or salvaging 95% of construction waste; use of recycled and regionally produced construction materials; Greenguard labeled furnishings; and “green” housekeeping methods and cleaning products. As a new model for the re-use of historic buildings, this project demonstrates that preservation, new design, and program can together produce a sustainable result. Case Study No. 4 Melvin J. and Claire Levine Hall Philadelphia, Pennsylvania KieranTimberlake Philadelphia, Pennsylvania Levine Hall is a computer science research facility that houses laboratories for robotics and computer science, faculty and departmental offices, conference rooms, an auditorium and a cyber café. The building forms a quadrangle, a new front door and central gathering place for the School of Engineering and Applied Science. It makes a significant contribution to the university’s urban design intentions to develop an outwardly focused campus of gateways; an invitation to the academic and urban communities in which the university activities are made literally transparent. The building responds to existing site conditions and context, while establishing a forward-looking character for the School of Engineering. The footprint and massing respond to adjacent buildings, with particular attention to scale and fenestration. Levine Hall is articulated as a glazed pavilion, presenting luminous, transparent facades at the end of Chancellor Walk and within the courtyard. This strategy allows daylight to be maximized on a dense, urban site, while creating visual connections between the life of the campus and life within the building. The facades are constructed using ventilated curtain wall technology in a composition of transparent and translucent glass. While the technology is new, proportions were determined using mathematical ratios following the golden section. Levine Hall is intended to provide long-term flexibility in the use and arrangement of space. The building contains six floors and can accommodate a seventh floor. The first floor is intended as a place of arrival and orientation. Chancellor Walk leads directly to a double-height lobby with views through to the courtyard beyond. A tiered state-of-the-art auditorium is located immediately to the south. The upper floors are loft-like in character with largely exposed structural and mechanical systems. The departmental office is located at the third floor. An open stairway provides access from the first floor to the second and third floors, thereby linking the departmental office to the lobby. At the third and fourth floors, corridors 393 LE PATRIMOINE, MOTEUR DE DÉVELOPPEMENT HERITAGE, DRIVER OF DEVELOPMENT
Theme 2 Session 3 From Continuity to Contrast: Diverse Approaches to Design in Historic Contexts connecting Towne and GRW run along the eastern facade of the building, allowing views from the interior out to Chancellor Walk while activating the facade with views of people within. This arrangement maximizes the open area on each floor and separates “through circulation” from private spaces. Faculty offices are located at the perimeter of the building to the east, west and south with abundant natural light and views. Floor lounges with views of the courtyard are provided throughout the building, allowing places of meeting and orientation at each floor level. The principal facades are highly energy-efficient curtain walls; the first active wall of its type in North America. This innovative, triple-glazed wall features a return-air system which ventilates an inner cavity, extracting solar heat gain for use in various forms of heat exchange systems to offset heating and cooling loads. The inner glass unit is a heat barrier featuring fully adjustable blinds, allowing for full shading or visibility. Since return air is at room temperature, the internal glass unit surface temperature is within 1-2 degrees of room temperature. This eliminates surface radiation effects and improves occupant comfort. The use of ventilated curtain wall technology allows the use of large expanses of glazed exterior wall surfaces providing abundant natural light and views, while providing interior comfort, minimizing energy consumption and meeting stringent new energy codes. Centennial Bank / Paul Peck Alumni Center Historic Centennial Bank Building © Tom Barnard Centennial Bank / Paul Peck Alumni Center New Entry and Addition © Tom Barnard Centennial Bank / Paul Peck Alumni Center Historic Interior © Tom Barnard Centennial Bank / Paul Peck Alumni Center New Entry © Tom Barnard 394 LE PATRIMOINE, MOTEUR DE DÉVELOPPEMENT HERITAGE, DRIVER OF DEVELOPMENT
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