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Maketa fails - Jura Žagariņa mājas lapas

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LETTERS AND THE VISUAL ARTS. Different,<br />

atypical, unique, original, a shatterer of<br />

convention, e.e. cummingsesque … Maija<br />

Meirāne introduces Edvīns Raups as a poet<br />

whose flamboyantly changeling style is his<br />

essence: one would miss the point by seeking<br />

plain sense in his onomatopoeic inventions<br />

and surrealistic word play. Raups himself<br />

insists that, in order to be fully appreciated,<br />

his 26 short poems offered here need<br />

to be presented just as they were composed<br />

– spoken out loud in his own voice and in<br />

the order in which they are given. Recently,<br />

an English edition of his poems Then Touch<br />

Me Here was published in Canada. •••<br />

In short prose compositions, Juris Rozītis<br />

and Agnese Matisone describe incidents<br />

of human contact, random, fleeting, poignant<br />

and profound. ••• Visual art from<br />

Svens Lūkins and Baiba Baiba is introduced<br />

by JG art editors Voldemārs Avens<br />

and Linda Treija. A color portrait of artist<br />

Voldemārs Dārznieks (1926-2010) is by<br />

Richards Luikis. ••• Sarma Muižniece-<br />

Liepiņa shares her impressions of an exhibit<br />

of art photography by Anita Līcis-Ribak<br />

in Northampton, Massachusetts, Marita<br />

Batņa reports on the 53rd annual Latvian<br />

arts festival in Melbourne, Australia, and<br />

Ilze Šēnberga-Nāgela reviews an exhibit of<br />

Ieva Deksne’s art, also in Melbourne.<br />

LITERARY COMMENT. In Kultūra un latvietība<br />

(Culture and Latvianness, 2010), the<br />

former president of Latvia (1999-2007)<br />

Vaira Vīķe-Freiberga challenges her nation<br />

to face reality and, above all, to strive for<br />

excellence. Irēne Avena reports that it is a<br />

book of bitter lessons and a worthy testament,<br />

especially for our young generation.<br />

••• Tough, tenacious, enduring almost to<br />

the point of being compulsively obsessive –<br />

Juris Šlesers chooses words carefully to describe<br />

the character of the Latgallian philologist<br />

Vladislavs Lōcis (1912-1984), one of<br />

the few Latgallians who persevered in protecting<br />

and preserving the regional idiom of<br />

Eastern Latvia in the face of the larger threat<br />

to the Latvian language from russification<br />

under the Soviets. ••• University of Latvia<br />

(Institute of Literature, Folklore and Art)<br />

researcher Dr. Eva Eglāja-Kristsone concludes<br />

her study of cultural contacts during<br />

the Cold War between the literary establishment<br />

in Soviet occupied Latvia, and Latvian<br />

writers who had fled to Western Europe and<br />

North America.<br />

HISTORY AND ACTUALITIES. Writer and curator<br />

of the Riga Museum of Literature and<br />

Music, Andrejs Grāpis, brings to light some<br />

interesting facts about early post-WWII contacts<br />

between Soviet Latvian functionaries<br />

and Latvians in exile. ••• We continue<br />

our celebration of Latvia’s emergence from<br />

the Soviet “prison of nations” 20 years ago<br />

with a poem by our former editor Andrejs<br />

Gunars Irbe (1924-2004) and photographs<br />

taken by Jānis Buls, Andris Eglītis and<br />

Rolfs Ekmanis during the “days of the barricades”.<br />

••• The topic of conversation<br />

in the Kiberkambaris column is a threat<br />

by Jakovs Pliners, head of PCTVL, a political<br />

party which, to a large extent, speaks<br />

on behalf of the Russian minority in Latvia,<br />

to unleash a revolution, should the government<br />

require that all instruction in publicly<br />

financed schools be in the state language,<br />

Latvian: … do you want to look out the window<br />

and see Libya and Egypt? ••• The<br />

title of the section Dažos vārdos (In a Few<br />

Words) has, in the past, been translated<br />

here as Marginalia, but it is hardly marginal.<br />

It is a dense and scrupulously edited summary<br />

of information and actualities societal,<br />

cultural, and political, all centrally important<br />

to Latvian readers everywhere. ••• This<br />

year’s recipient of the award established in<br />

the memory of JG long-time associate editor<br />

Jānis Bieriņš (1908-1987) is our own contributing<br />

editor Vita Gaiķe. In an interview<br />

she reveals that she is a biologist by profession<br />

and an equestrian athlete. ••• Prose<br />

writer and playwright Laimonis Purs criticizes<br />

the tendency by some Latvian cultural<br />

leaders to devote themselves to nit-picking<br />

in the thick coat of the past, and urges them<br />

instead to help lay a foundation for healthy<br />

patriotism in the realities of the present.<br />

BOOK REVIEWS. Indra Gubiņa’s travel<br />

memoirs Vēlreiz turp un atpakaļ (Once<br />

More Out and Back) – reviewed by Astra<br />

Roze • Aina Zemdega’s Raksti (Collected<br />

Works) and Rolf Michaelis’ Letten in der<br />

Ordnungspolizei und Waffen-SS 1940-1945<br />

– both reviewed by Juris Silenieks • Ilse<br />

Zandstra’s memoir The Amber Coast: A<br />

Latvian Family’s Journey – Juris Dreifelds •<br />

Nikolajs Bulmanis’ essays on Latvian émigré<br />

artists No vienas puses tā... (On the One<br />

Hand Thus...) – Voldemārs Avens • Juris<br />

Urtāns’ Kalnā bija stalta pils (A Shining<br />

Castle on the Hill), a report of archeological<br />

research at 58 of Latvia’s ancient fort<br />

sites – Marģers Grīns • Literary quarterly<br />

Latvju Teksti (Latvian Texts – Winter 2010) –<br />

Rolfs Ekmanis • Journal of Baltic Studies<br />

(December 2010) – Gundars Ķeniņš Kings.<br />

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