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stankovic, sasa thesis.pdf - Atrium - University of Guelph

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eason would do anything but reason; this is what we see in the Critique <strong>of</strong> Pure reason” (DI 58).<br />

This is why common sense is a dictatorship. “In the first two Critiques, therefore, we cannot<br />

escape the principle <strong>of</strong> an agreement <strong>of</strong> the faculties among themselves. But this agreement is<br />

always proportioned, constrained, and determinate: there is always determinative faculty that<br />

legislates, either the understanding for speculative purpose, or reason for a practical purpose” (DI<br />

57). And is it not the case that every time everybody agrees on something we find ourselves<br />

incapacitated? Here Deleuze asks an important question. Can there be a free harmony <strong>of</strong> the<br />

faculties? In other words, can there be a harmony <strong>of</strong> the faculties where each faculty does what it<br />

alone can do, where each faculty enjoys its own difference? “Thus the first two Critiques set out<br />

a relationship between the faculties which is determined by one <strong>of</strong> them; the last Critique<br />

uncovers a deeper free and indeterminate accord <strong>of</strong> the faculties as the condition <strong>of</strong> the<br />

possibility <strong>of</strong> every determinate relationship” (KCP 68).However to the extent that common<br />

sense is the realization <strong>of</strong> the interests <strong>of</strong> reason do these questions also not suggest another: can<br />

there be an interest <strong>of</strong> reason that does not impose itself onto its object? This is aesthetic<br />

common sense.<br />

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