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A Primer on Ugaritic: Language, Culture, and Literature - enenuru

A Primer on Ugaritic: Language, Culture, and Literature - enenuru

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6<br />

Literary Texts<br />

Most of the major literary texts from <strong>Ugaritic</strong> are in the form of<br />

narrative poems. Included here are selecti<strong>on</strong>s from the three most<br />

famous poems: the Baal Cycle (§§6.2 <strong>and</strong> 6.5), the Keret Epic<br />

(§6.3), <strong>and</strong> the Story of Aqhat (§6.6). In additi<strong>on</strong>, we have<br />

provided a selecti<strong>on</strong> from El’s Marzihu (§6.1), which can be read<br />

with the legal text dealing with the Marzihu in Chapter 5 (§5.3).<br />

The so-called Snake Bite Text (§6.4) has been the subject of<br />

numerous studies <strong>and</strong> has been <strong>on</strong>e of the more difficult texts to<br />

underst<strong>and</strong>; it seems to have been used in a ritual. The Birth of the<br />

Goodly Gods (§6.7) describes the sexual activity of the god El with<br />

much metaphorical language <strong>and</strong> the birth of two gods with<br />

ravenous appetites.<br />

Near Eastern literary texts, including <strong>Ugaritic</strong> texts, rely heavily<br />

<strong>on</strong> parallelism <strong>and</strong> st<strong>and</strong>ard formulas. Parallelism involves the<br />

juxtapositi<strong>on</strong> of phrases using similar syntactic <strong>and</strong> semantic<br />

structures. St<strong>and</strong>ard formulas include the marking of time, the<br />

introducti<strong>on</strong> of direct speech, the entrance <strong>and</strong> exit of characters,<br />

<strong>and</strong> the use of divine epithets. Although these can seem redundant,<br />

they reflect the oral recitati<strong>on</strong> of these literary texts (see S. Parker,<br />

Stories in Scripture <strong>and</strong> Inscripti<strong>on</strong>s). A main problem that the<br />

student will face in studying these literary texts is their<br />

fragmentary nature. Even where they are complete, there are many<br />

obscurites in the vocabulary or in underst<strong>and</strong>ing the ancient<br />

<strong>Ugaritic</strong> social c<strong>on</strong>text. As a matter of course, poetry plays with<br />

words <strong>and</strong> relies <strong>on</strong> literary <strong>and</strong> social c<strong>on</strong>texts; in the case of<br />

ancient Ugarit, these are c<strong>on</strong>texts that we do not fully grasp.<br />

117

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