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MEDIA LITERACY AND INTERCULTURAL DIALOGUE<br />
Strategies, Debates and Good Practices<br />
<br />
"The dilemma, however, is when and how to teach these "language" and<br />
"techniques". Skills cannot be taught permanently if they are not placed in the<br />
context where students need to use them to communicate meaning"<br />
(Buckingham, 2005: 209).<br />
3.2.1. Methodology<br />
Indeed it is desired that the issues raised lines before are organized so that<br />
boys and girls of the workshop admit them slowly, having understood and test<br />
them first.<br />
Therefore creates two class models that are developed in an oscillatory way<br />
throughout the course to promote learning that begins in the<br />
instinctive/empirical and then to the formal use of audio visual language to<br />
communicate fully. <br />
Chart 1. Class Types.<br />
Class Type A<br />
Class B Type<br />
• Metaphor Games.<br />
• Metaphor Games<br />
• Developing theoretical issue.<br />
• Appraisal of videos.<br />
• Recording<br />
• Group or Self review<br />
• Practice Exercises.<br />
• Group or Self Review<br />
"The addition of metaphors in educational discourse is a sound basis for an<br />
enhancement of the teaching-learning process. When connecting a concept<br />
with a preceding knowledge or prior experience, a good metaphor helps to<br />
discover a new reality or dimension from something known. It is therefore a<br />
privileged resource for a meaningful education" (Ferrés i Prats, 2008:123).<br />
Ludica´s methodology lies primarily in the use of games as the starting point of<br />
both kinds of classes Type A and Type B. Here the activities are the metaphor<br />
that unites the exploratory/ interpretive experience with the later given theory,<br />
legitimizing what the student initially has discovered. Let's look at the<br />
development of the education system.<br />
a. Class Type A<br />
The game is used for students to discover and understand the meaning of<br />
concepts empirically so that later these will be officially named in the theoretical<br />
section. For example, if we talk about music composition, the class will start<br />
with an activity that makes us all walk according to what the music tells us; if we<br />
speak of raccord or continuity, we will play "Treasure Hunt" identifying<br />
misplaced items, etc. With this vision, the teacher can question students what<br />
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