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Coincidance - Principia Discordia

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162 COINCIDANCE<br />

appears as a "Grant, old gardner" in one part of FW—blending with Adam<br />

whom Tennyson called "the grand old gardner"—and whose name is also<br />

cunningly hidden in "grand uproar style" {emphasis added) and several other<br />

Joycean arabesques you might enjoy discovering for yourself. The Blue and<br />

the Grey of the Civil War also appear frequently, but ultimately appear part<br />

of the Glues and the Gravys—two odd family names Joyce noted in the<br />

graveyard at Sidlesham where he found the Earwicker tombstone.<br />

If Abhe life is identified with Eve in the opening clause of FW ("riverrun,<br />

past Eve and Adam's...") this is also fortunate, since Eve in Hebrew means<br />

life (as Adam means earth.)<br />

The "Anna" got into "Anna Liffey" because the English did not<br />

understand the Gaelic abhe (pronounced more like awa) but is quite<br />

appropriate for Joyce's purposes. Anna, in the New Testament, was the<br />

grandmother of Jesus and thus, in Catholic theology, the grandmother of<br />

God, which makes her a good symbol of that which is most ancient and<br />

primordial. The Tuatha de Danaan, early inhabitants of Ireland, worshipped<br />

a goddess named Danu, seemingly cognate with Diane-Artemis (the bear<br />

goddess who was a bare goddess) and also with the ancient Near Eastern<br />

goddess Anu and the Egyptian Nuit. Considering these and other etymologies,<br />

Robert Graves in The White Goddess concluded that "Anna" is the best of all<br />

alternative names for the ancient Moon Goddess, who combines virgin,<br />

mother and crone.<br />

The "Anna" root also appears in the Russian, Anastasia, which means<br />

"resurrection" and fits perfectly into the symbolism of FW. As usual, when<br />

you look for synchronicity, synchronicity looks for you. While Joyce was<br />

writing FW in Paris a woman surfaced there who claimed to be the lost<br />

Grand Duchess Anastasia. She appears on page 28 Gaelicized as Anna<br />

Stacey, but then Anna Liffey becomes Judaized on page 253 as Hannah<br />

Levy. Each of Joyce's "characters" is a local example of a non-local function,<br />

as all women are aspects of the non-local<br />

A and B in Norse, meanwhile, are Ask and Embla, which mean Ash and<br />

Elm and are also the names of the Adam and Eve of Norse mythology. They<br />

appear on FW page 4 in the lovely Freudian/Jungian cluster,<br />

elms leap where askes lay. Phall if you hut will, rise you must (emphasis added)<br />

Although Joyce has given it a detumescense/retumescense reference, the<br />

second line echoes McPherson's Fingal, a Scots version of the Finn MacCool<br />

epic: "If I must fall, my tomb shall rise."<br />

ABC or Hebrew Aleph-beth-gimmel recurs constantly in FW, usually<br />

symbolizing the "three quarks" of page 383 (<br />

) who later got<br />

incorporated into quantum mechanics by Nobel laureate Dr. Murray Gell-<br />

Mann. "Alfred, Bertie, Charlie" and similar disguises usually conceal these

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