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Coincidance - Principia Discordia

Coincidance - Principia Discordia

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96 COINCIDANCE<br />

"mere coincidence"? We are privileged to peep into the mind of a typist<br />

named Martha (who works part-time for Blazes Boylan) but we don't know<br />

if she is thinking about Bloom or about the hero of a novel she has been<br />

reading. Since Bloom's thoughts, like everybody's, contain wishful thinking<br />

and self-deception, we cannot believe him totally, but the other narrators<br />

are so prejudiced pro-Bloom or anti-Bloom that we can't trust them either.<br />

We have seen Reality and found it an abyss indeed; Blake only claimed to see<br />

infinity in a grain of sand, but Joyce has shown us the infinity by opening<br />

every hour of an ordinary day to endless interpretations and re-interpretations.<br />

Things become even more interesting, and weirder, when we begin to<br />

count the coincidences in this very, very average day: a day so banally<br />

normal that early critics complained chiefly that many chapters are boring<br />

and pointless. On the first page. Mulligan is performing a parody of the<br />

Catholic Mass* and whistles to summon the Holy Spirit; a mysterious<br />

returning whistle answers from the street. Mulligan, a devout atheist, is not<br />

impressed by this coincidence, but it is the overture to a rising crescendo of<br />

synchronicity throughout the day. A few pages on, Mulligan mentions<br />

working at the Mater hospital; Bloom lives on the same street with that<br />

hospital. Mulligan then talks of a friend named Bannon who is courting a<br />

girl in a photo shop in Mullingar; at the same time, but three chapters away<br />

in the text, Bloom is reading a letter from that girl, who happens to be his<br />

daughter, Milly. Bannon arrives in Dublin at 11 that evening, just in time to<br />

see the meeting of Stephen and Bloom in conjunction with another<br />

appearance of the enigmatic man in the brown mackintosh. Moses is the<br />

topic of conversation in the newspaper immediately before and after Bloom<br />

enters, and when Bloom arrives at the library two hours later, Mulligan<br />

anti-semitically calls him "Ikey Moses"; at the end of the day, Bloom<br />

suddenly guesses the answer to the child's riddle, "Where was Moses when<br />

the candle went out?" Other coincidences connect Bloom and Moses<br />

throughout the day; a secondary string of synchronicity links bloom with<br />

Elijah; a third famous Jew, Jesus, gets linked to Bloom in Chapter 12, where<br />

the narrator's favorite oath is "Jesus" and the Citizen threatens to "crucify"<br />

Bloom.<br />

Weirder and more wonderful: in the newspaper office, Bloom reflects<br />

that William Braydon, the editor, looks like Jesus and then remembers that<br />

Mario "the tenor" also looked like Jesus. Giovanni Matteo Mario (1810-1883)<br />

was famous for looking like most popular portraits of Jesus, but equally<br />

renowned for his role as Lionel in Flotow's opera, Martha. Jesus was associated<br />

And don't forget that the climax comes when Bloom and Stephen share the<br />

"massproduct," Epp's cocoa.

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