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Coincidance - Principia Discordia

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THE POET AS<br />

DEFENSE EARLY WARNING<br />

RADAR SYSTEM<br />

The following article is not just "about" Allen<br />

Ginsberg, whom I regard as our major living<br />

American poet. It is also "about" my concept of<br />

what a writer should be doing with his or her<br />

talent in a world like this.<br />

Forty years ago, Ezra Pound made his celebrated boast of the social<br />

function of art: "The artist is the antenna of the race, the barometer and<br />

voltmeter." Allen Ginsberg* is nothing if not contemporary. He brings the<br />

boast up to date with a stunning effectiveness:<br />

I am the Defense Early Warning Radar System<br />

I see nothing but bombs<br />

These lines are typical of Ginsberg's unpolished-looking verse. He seems<br />

to work in poetry the way Rouault worked in paint: hacking his way<br />

savagely, with crude and sweeping strokes, toward an image of maximum<br />

ferocity. Look at Rouault's "Three Judges," those faces of moronic evil<br />

plastered on the canvas as if in rage and colored with the darkest, smeariest<br />

*Kaddish and Other Poems, by Allen Ginsberg. City Lights Books, 1961,100 pages.<br />

81

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