Coincidance - Principia Discordia
Coincidance - Principia Discordia
Coincidance - Principia Discordia
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COINCIDANCE 239<br />
(that is the word used) to one value, like Joyce's I, after a measurement has<br />
been taken—which is why most quantum physicists say the universe is "in<br />
every possible state" before we measure it. The Hidden Variable theory says<br />
that what determines the resultant I is the non-local hidden variable which<br />
they write c, and which seems to be totally isomorphic to Joyce's<br />
Those who deny the Hidden Variable must conclude, as Erwin<br />
Schrodinger demonstrated with mathematical precision, that both values of<br />
the state vector co-exist and thus that a cat may be dead and alive at the<br />
same time. Since 1 have explained this Schroedinger's Cat paradox at length<br />
in other works—including my three volume science-fiction comedy,<br />
Schroedinger's Cat—I will only mention here that FW is isomorphic to that<br />
model also, since Finnegan is both dead and ?live all through the book.<br />
(In a deeper sense, every word in FW is like Schrodinger's Cat in that the<br />
state vector of the whole system gives it a minimum of two values. Joyce's<br />
"chaosmos," for instance has the two values, "chaos" and "cosmos"; his<br />
"washup" on the book's last page—I sink I'd die down over his feet, humbly<br />
dumbly, only to washup—has the two minimum values of housework and<br />
worship, with a hidden value, in context, which contains Mary Magdalene<br />
washing the feet of Jesus as a form of worship; etc.)<br />
As Dr. John S. Bell has pointed out, if there is a nonlocal hidden variable,<br />
or a set of nonlocal hidden variables, they will function the same in any<br />
cross-section of space-time that we examine. This is what inspired Dr.<br />
Bohm's hologram model of the universe, in which any bit contains the<br />
information of the whole. Joyce seems to be prescientifically anticipating this<br />
hologram model by writing FW in what I have called hologrammic prose, in<br />
which any dozen words, analyzed in full, turn out to include the whole<br />
structure of the book in miniature.<br />
Joyce was paying close attention to modern physics while writing FW. On<br />
page 51 he alludes to Heisenberg's Uncertainty Principle:<br />
that sword of certainty which would identifide the body never falls<br />
On pages 149-168, there is lengthy dissertation on "the dime-cash<br />
problem" or why Earwicker did not give any money to the Cad in the park,<br />
which is simultaneously a discourse on "the time-space problem" or the time<br />
and space theories of Einstein, amusingly called "Winestain." Within this<br />
long oration, the Mookse and the Gripes debate Catholicism versus its<br />
derivative heresies at length, but the Papa! Mookse is not only a or Abel<br />
figure but is clearly identified as space (he lives "eins within a space" instead<br />
of "once upon a time" and being the Pope lives in Room and/or Rum which<br />
play Rome against German Raum, space). The Gripes, meanwhile, is Cain,<br />
the Gnostics, a figure, and a defender of both Einstein and Joyce. On one<br />
level the debate is about space-oriented arts like painting ( ) in opposition