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Coincidance - Principia Discordia

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COINCIDANCE 241<br />

the normal novelistic sense but basic categories of Mind and perhaps of<br />

Universe (if there is any sense in distinguishing the two.)<br />

is a symbol that has so many meanings most Joyce scholars have been<br />

totally baffled by it. It is, among other things, Finnegan's coffin and the bed<br />

in which Earwicker lies dreaming all through the book. It is also Phoenix<br />

Park, and the Garden of Eden, and Noah's Ark and the battlefield of Waterloo<br />

and any place and every place. The best description of , I think, is to call it a<br />

localization within space-time wherein the nonlocal functions are temporarily<br />

manifest. That is, systems or archetypes like and etc. function<br />

everywhere and everywhen (that's what nonlocal means, after all) but is<br />

an Einsteinian (space-time) cross-section of these atemporal aspatial<br />

patterns or archetypes. Joyce may have used the symbol , because it has<br />

four sides, to represent the four dimensions of space-time.<br />

To say it otherwise, and and and and all the other nonlocal<br />

functions we have been considering appear in the cross-section called<br />

Genesis as Adam and Eve and Cain and Abel. They appear in the cross<br />

section of 7 Ching as yang and yin and active yang and passive yang. They<br />

appear in Dublin as Earwicker and his wife and their two twin sons. They<br />

appear in genetics as the two coils of DNA and the first two bonds, A and C.<br />

Wherever one takes a cross-section of any sort ( ) these nonlocal functions<br />

must appear, if they really are nonlocal.<br />

One reason the Dublin, Ireland/Dublin, Georgia parallel appears so<br />

conspicuously on the first page of FW is that Joyce is intent on making the<br />

reader see that is a variable in FW. The normal waking mind, that is,<br />

perceives one cross-section (or reality-tunnel) at a time; the dreaming<br />

mind can be in several is simultaneously. This is partly why Yositani Roshi<br />

said we all achieve Enlightenment in our sleep and Zen is just a trick for<br />

doing it while awake.<br />

Unless I am very much mistaken, Joyce has taken great care that never<br />

has a single value in any of its appearances; it is always at least two-valued<br />

(like the Schrodinger state vector). Thus, in the opening words, which we<br />

know well by now, "riverrun, past Eve and Adam's..." is simultaneously<br />

Merchant's Quay in Dublin where the river Anna Liffey passes the Church<br />

of Adam and Eve and also the Garden of Eden where four rivers flowed past<br />

the original Adam and Eve. In the tavern chapter, analyzed above, is the<br />

Crimea, where Buckley shot the Russian General, but it is also every other<br />

battle in history, and, evidently, Nagasaki. Even at Finnegan's Wake in<br />

chapter one, is only Finnegan's coffin part of the time; the mourners speak<br />

in the tones of the jurors in the later trial scenes, so is also the Four Courts<br />

in Dublin where Earwicker's sexual offenses are minutely examined.<br />

If at any point, the reader thinks that is one specific space-time crosssection,<br />

a little analysis will show, in the multi-linguistic puns, that another

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