Coincidance - Principia Discordia
Coincidance - Principia Discordia
Coincidance - Principia Discordia
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COINCIDANCE 241<br />
the normal novelistic sense but basic categories of Mind and perhaps of<br />
Universe (if there is any sense in distinguishing the two.)<br />
is a symbol that has so many meanings most Joyce scholars have been<br />
totally baffled by it. It is, among other things, Finnegan's coffin and the bed<br />
in which Earwicker lies dreaming all through the book. It is also Phoenix<br />
Park, and the Garden of Eden, and Noah's Ark and the battlefield of Waterloo<br />
and any place and every place. The best description of , I think, is to call it a<br />
localization within space-time wherein the nonlocal functions are temporarily<br />
manifest. That is, systems or archetypes like and etc. function<br />
everywhere and everywhen (that's what nonlocal means, after all) but is<br />
an Einsteinian (space-time) cross-section of these atemporal aspatial<br />
patterns or archetypes. Joyce may have used the symbol , because it has<br />
four sides, to represent the four dimensions of space-time.<br />
To say it otherwise, and and and and all the other nonlocal<br />
functions we have been considering appear in the cross-section called<br />
Genesis as Adam and Eve and Cain and Abel. They appear in the cross<br />
section of 7 Ching as yang and yin and active yang and passive yang. They<br />
appear in Dublin as Earwicker and his wife and their two twin sons. They<br />
appear in genetics as the two coils of DNA and the first two bonds, A and C.<br />
Wherever one takes a cross-section of any sort ( ) these nonlocal functions<br />
must appear, if they really are nonlocal.<br />
One reason the Dublin, Ireland/Dublin, Georgia parallel appears so<br />
conspicuously on the first page of FW is that Joyce is intent on making the<br />
reader see that is a variable in FW. The normal waking mind, that is,<br />
perceives one cross-section (or reality-tunnel) at a time; the dreaming<br />
mind can be in several is simultaneously. This is partly why Yositani Roshi<br />
said we all achieve Enlightenment in our sleep and Zen is just a trick for<br />
doing it while awake.<br />
Unless I am very much mistaken, Joyce has taken great care that never<br />
has a single value in any of its appearances; it is always at least two-valued<br />
(like the Schrodinger state vector). Thus, in the opening words, which we<br />
know well by now, "riverrun, past Eve and Adam's..." is simultaneously<br />
Merchant's Quay in Dublin where the river Anna Liffey passes the Church<br />
of Adam and Eve and also the Garden of Eden where four rivers flowed past<br />
the original Adam and Eve. In the tavern chapter, analyzed above, is the<br />
Crimea, where Buckley shot the Russian General, but it is also every other<br />
battle in history, and, evidently, Nagasaki. Even at Finnegan's Wake in<br />
chapter one, is only Finnegan's coffin part of the time; the mourners speak<br />
in the tones of the jurors in the later trial scenes, so is also the Four Courts<br />
in Dublin where Earwicker's sexual offenses are minutely examined.<br />
If at any point, the reader thinks that is one specific space-time crosssection,<br />
a little analysis will show, in the multi-linguistic puns, that another