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building the american landscape - Univerza v Novi Gorici

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cultivate <strong>the</strong> architecture <strong>the</strong>re. He had no real confidence in <strong>the</strong> settlement grid<br />

spread by <strong>the</strong> Land Ordinances of <strong>the</strong> end of <strong>the</strong> eighteenth century, but he<br />

understood that it was an element to which he had to relate. Edward Frank wrote<br />

about <strong>the</strong> grid and <strong>the</strong> module: “<strong>the</strong> module was never adopted in a dogmatic<br />

sense, namely elevated at <strong>the</strong> level of a universal system. The proportions are not<br />

based uniquely, and not even in a prevailing manner, on abstract geometrical grids,<br />

but on concrete and immediate relationships: ” 101 .<br />

Therefore, Wright used Broadacre City not only to examine <strong>the</strong> nineteenth‐century<br />

pioneer’s limit, but he also grasped <strong>the</strong> potentialities of <strong>the</strong> <strong>landscape</strong> on <strong>the</strong> vast<br />

scale of <strong>the</strong> U.S. section, which continues to be a feature of <strong>the</strong> territory today.<br />

Broadacre ultimately represents an idea of a town and of democracy, which<br />

summarises America itself. In particular, it makes us think of <strong>the</strong> America of <strong>the</strong> vast<br />

fields and farms of <strong>the</strong> Midwest, governed by <strong>the</strong> Public Land Survey system, and it<br />

symbolizes <strong>the</strong> contradictions of America, <strong>the</strong> story of which is inseparable from <strong>the</strong><br />

movement of <strong>the</strong> car and <strong>the</strong> elevator.<br />

101 FRANK , Edward, Pensiero organico e architettura wrightiana, Bari, Dedalo libri, 1978, pp. 28‐29<br />

[translation by <strong>the</strong> editor from Italian]<br />

60

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