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building the american landscape - Univerza v Novi Gorici

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culture. No o<strong>the</strong>r country gives rise to this process of both<br />

discrimination and exacerbation, of radicalisation, of <strong>the</strong> essential<br />

details of our European cultures... What had remained critical and<br />

religious esotericism in Europe, in <strong>the</strong> New Continent transforms itself<br />

into pragmatic esotericism, thanks to a sudden jolt, or to a twist of a<br />

geographic exile, which imitates in <strong>the</strong> founding countries of <strong>the</strong> 17 th<br />

century, man’s voluntary exile into his own conscience. All <strong>the</strong> American<br />

principles respond to this twofold movement to develop moral law in<br />

peoples’ consciences, and to radicalise <strong>the</strong> everlasting, utopian need of<br />

<strong>the</strong> sects and <strong>the</strong> immediate materialisation of this utopia in<br />

employment, customs and life style. To touch down in America still<br />

means to land in this “religion” of <strong>the</strong> way of life Tocqueville spoke of 108 .<br />

The dynamics between <strong>the</strong> moral needs contained in this visualization of America<br />

and utopian idealizations are well founded. The vast American spaces have over <strong>the</strong><br />

years offered opportunities to build a complex relationship with <strong>the</strong> environment.<br />

As we have seen before, this relationship had become clear over time as<br />

architectural models linked to <strong>the</strong> agricultural practices were defined and as town<br />

planning <strong>the</strong> settlements evolved.<br />

On <strong>the</strong> basis of <strong>the</strong> reasoning followed so far, <strong>the</strong> city acquires even fur<strong>the</strong>r <strong>the</strong> role<br />

of a place of conflict and of a warning for <strong>the</strong> American intellectual. It was always<br />

going to be <strong>the</strong> Europeans, who found <strong>the</strong> fascination and <strong>the</strong> disenchantment of<br />

<strong>the</strong> contemporary myth in <strong>the</strong> metropolis, <strong>the</strong> skyscrapers and new materials.<br />

If <strong>the</strong> city, especially Paris, is <strong>the</strong> object of cultural interests and becomes <strong>landscape</strong><br />

in Europe at <strong>the</strong> end of <strong>the</strong> nineteenth century, in America people show a similar<br />

interest not so much in built‐up area, but in <strong>the</strong> unexplored territories and show <strong>the</strong><br />

same amazement at <strong>the</strong> wilderness as <strong>the</strong> former do at metropolitan life. Later, at<br />

<strong>the</strong> beginning of <strong>the</strong> twentieth century, <strong>the</strong> object of interest shifted to <strong>the</strong><br />

“suburb”, namely to <strong>the</strong> process of decentralization and promotion of idealized<br />

rural life.<br />

108 BAUDRILLARD, Jean, Amerique, Editions Grasset & Fasquelle, 1986 (it. tr. by Laura Guarino,<br />

L’America, Milano, Feltrinelli, 1987, p. 63) [english text translated by <strong>the</strong> editor from italian]; See<br />

TOCQUEVILLE, Alexis de, De la democrazie en Amerique, Paris, 1835‐1840 (en. tr. by Henry Reeve,<br />

Democracy in America, New York, The Colonial Press, 1900); (Italian translation La Democrazia in<br />

America, edited by Giorgio Candeloro, Milano, Rizzoli, 2010)<br />

65

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