building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
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Several architects of <strong>the</strong> twentieth century, who did actually look to <strong>the</strong> desert to<br />
establish a special relationship between architecture and <strong>the</strong> <strong>landscape</strong>, suffered<br />
<strong>the</strong> same fascination felt by <strong>the</strong> pioneers of <strong>the</strong> Old West before <strong>the</strong>m. For<br />
instance, <strong>the</strong> book Frank Lloyd Wright: Design for an American Landscape, 1922‐<br />
1932 137 (1996) edited by David G. De Long (catalogue published for <strong>the</strong> exhibition<br />
held at <strong>the</strong> CCA [Canadian Centre for Architecture] in Montreal and at <strong>the</strong> Library of<br />
Congress in Washington) reconstructed Wright’s links to <strong>the</strong> desert <strong>landscape</strong> with<br />
an analysis of five unbuilt projects: Gordon Strong Automobile Objective, Sugarloaf<br />
Mountain, Maryland (1924‐25), Lake Tahoe Summer Colony, Emerald Bay, California<br />
(1923), Doheny Ranch Development, Beverly Hills, California (1923), A.M. Johnson<br />
Desert Compound, Grapevine Canyon, California (1924), San Marcos in <strong>the</strong> Desert,<br />
Chandler, Arizona (1928‐29). It was Wright, who came to comprehend <strong>the</strong> desert by<br />
means of new means of transportation. If <strong>the</strong> architecture of <strong>the</strong> pioneer of <strong>the</strong><br />
nineteenth century was subordinate to carriages, cattle and <strong>the</strong> horse, Wright’s<br />
integrated <strong>the</strong> <strong>landscape</strong>, architecture and <strong>the</strong> automobile on a vast scale. These<br />
projects of <strong>the</strong> 1920’s were to provide <strong>the</strong> conceptual premises for <strong>the</strong> birth of<br />
Broadacre City. Fur<strong>the</strong>rmore, in this decade when he was achieving minor<br />
professional goals, he concentrated on <strong>the</strong> meaning of architecture and on <strong>the</strong><br />
value of <strong>the</strong> materials used, by writing a series of articles In <strong>the</strong> Cause of<br />
Architecture 138 , published on <strong>the</strong> pages of The Architectural Record.<br />
As Wright himself said in his autobiography, it was Mr A.M. Johnson 139 , <strong>the</strong> sort of<br />
man who was “a strange mixture of <strong>the</strong> fanatic and <strong>the</strong> mystic” 140 , who offered him<br />
<strong>the</strong> opportunity of a reflection on <strong>the</strong> desert <strong>landscape</strong>: “He drove his own car, a<br />
137 DE LONG, David, (ed) Frank Lloyd Wright: design for an American <strong>landscape</strong>, 1922‐1932, New<br />
York, Harry N. Abrams, 1996<br />
138 See in Italian: WRIGHT, Frank Lloyd, Per la causa dell’ architettura, introduction by Paolo<br />
Portoghesi, Rome, Gangemi, 1989; In English see: GUTHEIM, Frederick (ed.), In <strong>the</strong> Cause of<br />
Architecture: Essays/ by Frank Lloyd Wright for Architectural Record 1908‐1952; with a symposium<br />
on architecture by eight who knew him by Andrew Devane, Victor Hornbein, Elizabeth Wright<br />
Ingraham, Karl Kamrath, Elizabeth Kassler, Edgar Kaufmann Jr., Henry Klumb, Bruno Zevi, New York,<br />
Architectural Record, 1975<br />
139 A.M. Johnson was <strong>the</strong> client of <strong>the</strong> unbuilt Skyscraper for <strong>the</strong> National Life Insurance Company of<br />
Chicago (1924). This project is dedicated to <strong>the</strong> memory of <strong>the</strong> Lieber Meister, Louis Sullivan, who<br />
died in <strong>the</strong> same year, shortly after seeing <strong>the</strong> drawing of Wright’s <strong>building</strong>.<br />
140 WRIGHT, Frank Lloyd, An Autobiography, New York, Duell, Sloan & Pearce, 1943, p. 255 (Italian<br />
translation by Bruno Oddera, Una Autobiografia, Milan, Editoriale Jaca Book, 2003, p.238)<br />
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