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building the american landscape - Univerza v Novi Gorici

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home; not through plots of fruit trees, and beds of choice flowers, though <strong>the</strong>se<br />

have <strong>the</strong>ir place, but by collecting and combining beautiful forms in trees, surfaces<br />

of ground, <strong>building</strong>s, and walks, in <strong>the</strong> <strong>landscape</strong> surrounding us. It is, in short, <strong>the</strong><br />

Beautiful, embodied in a home scene” 249 .<br />

Downing’s intellectual efforts focused on <strong>the</strong> rural <strong>landscape</strong> as an escape from<br />

metropolitan life. According to Downing, <strong>the</strong> town was incapable of offering real<br />

opportunities to develop <strong>the</strong> <strong>landscape</strong>. “In a city or town, or its immediate vicinity,<br />

where space is limited, where <strong>building</strong>s stand crowded toge<strong>the</strong>r, and depends for<br />

<strong>the</strong>ir attractions entirely upon <strong>the</strong> style and manner of <strong>the</strong>ir construction, mere<br />

architectural effect […] is of course <strong>the</strong> only point to be kept in view” 250 . The<br />

country house is, <strong>the</strong>refore, an experience which is in complete anti<strong>the</strong>sis to <strong>the</strong><br />

town, and yet somehow is part of it, even though it sets out to be a refuge from <strong>the</strong><br />

crowd and confusion. Downing’s innovation was to imagine architecture could be<br />

part of <strong>the</strong> <strong>landscape</strong> and at <strong>the</strong> same time it could speak <strong>the</strong> language of nature.<br />

The country house is:<br />

a dwelling, as from its various accommodations, not only gives ample<br />

space for all <strong>the</strong> comforts and conveniences of a country life, but by its<br />

varied and picturesque form and outline, its porches, verandas, etc., also<br />

appears to have some reasonable connexion, or be in perfect keeping,<br />

with surrounding nature. Architectural beauty must be considered<br />

conjointly with <strong>the</strong> beauty of <strong>the</strong> <strong>landscape</strong> or situation. Buildings of<br />

almost every description, and particularly those for <strong>the</strong> habitation of<br />

man, will be considered by <strong>the</strong> mind of taste, not only as architectural<br />

objects of greater or less merit, but as component parts of <strong>the</strong> general<br />

scene; united with <strong>the</strong> surrounding lawn, embosomed in tufts of trees<br />

and shrubs, if properly designed and constructed, <strong>the</strong>y will even serve to<br />

impress a character upon <strong>the</strong> surrounding <strong>landscape</strong> 251 .<br />

In o<strong>the</strong>r words, Downing believed that improvements, that is to say rural<br />

embellishment, fall into <strong>the</strong> field of architecture and include notions of gardening.<br />

This was undoubtedly a complex, innovative vision, partly of Anglo‐Saxon origin, but<br />

which enabled <strong>the</strong> United States to take <strong>the</strong> first step along <strong>the</strong> road to using <strong>the</strong><br />

term <strong>landscape</strong> architect and to <strong>the</strong> legal recognition of <strong>the</strong> profession. His books<br />

249 Ibid., p. 18<br />

250 Ibid., p. 319<br />

251 Ibid., p. 320<br />

147

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