building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
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with specific transformations of <strong>the</strong> <strong>landscape</strong> carried out by <strong>the</strong> Indians, confirms<br />
this hypo<strong>the</strong>sis 203 .<br />
However, <strong>the</strong> common feature of <strong>the</strong> first interventions of <strong>landscape</strong> gardening in<br />
America appears to be <strong>the</strong> use of <strong>the</strong> lawn 204 as <strong>the</strong> central area in garden<br />
composition and <strong>the</strong> privileged viewpoint of <strong>the</strong> architecture. The lawn is <strong>the</strong><br />
natural space, which acts as counterpoint to <strong>the</strong> <strong>building</strong>. It encourages <strong>the</strong><br />
discovery of <strong>the</strong> surrounding garden and offers views in perspective of both. In <strong>the</strong><br />
architecture of <strong>the</strong> colonial period, <strong>the</strong> layout of <strong>the</strong> gardens envisaged simple,<br />
geometric shapes 205 , many of <strong>the</strong> plants used came from England and <strong>the</strong><br />
architecture reflected a style which came to be known as Georgian Colonial, with<br />
differences in <strong>the</strong> use of materials between North and South. The preparation of<br />
<strong>the</strong> plantation <strong>landscape</strong>, especially in Virginia along <strong>the</strong> James River, saw <strong>the</strong> first<br />
changes and began to give a major role to <strong>the</strong> lawn in front of <strong>the</strong> owner’s villa. The<br />
gardens and house of <strong>the</strong> plantation owned by Colonnel John Tayole (1721‐1779) at<br />
Mount Airy, Richmond County, near Warsaw, Virginia (1758‐62) [Figure<br />
89]represent <strong>the</strong> <strong>landscape</strong> at <strong>the</strong> stage, which was to lead to new elements of<br />
design to define <strong>the</strong> <strong>landscape</strong>. The architecture of Mount Airy was undoubtedly<br />
inspired by <strong>the</strong> Vitruvius Scoticus 206 by William Adam (1689‐1748) and by o<strong>the</strong>r<br />
English sources, and it was probably <strong>the</strong> first Neo‐palladian <strong>building</strong> to be built in<br />
<strong>the</strong> United States. The gardens of <strong>the</strong> house follow geometric shapes, however, we<br />
find a large rectangular lawn directly linked with <strong>the</strong> architecture according to a<br />
previous experiment in <strong>the</strong> Westover plantation at Charles City County, Virginia<br />
(1730s).<br />
203 See: SQUIER, Ephraim George, and DAVIS, Edwin Hamilton, Ancient Monuments of <strong>the</strong> Mississippi<br />
Valley: Comprising <strong>the</strong> Results of Extensive Original Surveys and Explorations, Washington,<br />
Smithsonian Institution, 1848, and <strong>the</strong> essay by KENNEDY, Roger, “Jefferson and <strong>the</strong> Indians”,<br />
Winterthur Portfolio, Vol. 27, No. 2/3 (Summer ‐ Autumn, 1992), The University of Chicago Press, pp.<br />
105‐121, mentioned in a previous note about Poplar Forest Plantation.<br />
204 See TEYSSOT, George (ed.), The American lawn, New York, Princeton architectural press;<br />
Montreal, Canadian Centre for Architecture, 1999<br />
205 See NEWTON, Norman T., Design on <strong>the</strong> Land. The Development of Landscape Architecture,<br />
Cambridge, Massachusetts, The Belknap Press of Harvard University Press, 1971, pp. 246‐251<br />
206 The name Vitruvius Scoticus (Scottish Vitruvius) recalls <strong>the</strong> title of <strong>the</strong> previous book Vitruvius<br />
Britannicus, or <strong>the</strong> Brithish Architect (1715‐25), <strong>the</strong> major work published by Colen Campbell (1676‐<br />
1729). The Vitruvius Britannicus was a famous book containing engravings of English <strong>building</strong>s by<br />
Inigo Jones and Sir Christopher Wren, Campbell himself and o<strong>the</strong>r architects.<br />
127