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building the american landscape - Univerza v Novi Gorici

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Washington’s life, <strong>the</strong> gardener prepared and sent a written report describing <strong>the</strong><br />

activities he had carried out himself, as well as those by his assistants. In April 1787,<br />

Washington drew up a document, which established <strong>the</strong> rights and duties of <strong>the</strong><br />

gardener as he carried out his tasks. 209 However, <strong>the</strong> de‐stabilising element in <strong>the</strong><br />

project design remained <strong>the</strong> lawn, also known as <strong>the</strong> Bowling Green [Figure 92]. The<br />

latter was bordered on one side by a large circular bed, fixed by <strong>the</strong> access road to<br />

<strong>the</strong> house, and on <strong>the</strong> opposite side it ended in a small, low, wooden gate. The gate<br />

opened on to a circular‐shaped road to enclose <strong>the</strong> gardens and lead any visitors to<br />

<strong>the</strong> entrance of <strong>the</strong> house without crossing <strong>the</strong> more private areas. Beyond <strong>the</strong><br />

gate, <strong>the</strong>re was a large meadow‐lawn, which continued to a rectangular cut in <strong>the</strong><br />

wood, as if a sort of avenue came directly from nature straight to <strong>the</strong> house. The<br />

curved shaped of <strong>the</strong> Bowling Green did not stem from <strong>the</strong> English school of<br />

gardening according to Norman T. Newton. However, we can doubtless consider it<br />

an element, which would be introduced very clearly and formally into subsequent<br />

projects to become <strong>the</strong> precise archetypal way of relating to <strong>the</strong> <strong>landscape</strong>. To give<br />

an example, “dear Mount Vernon”, as Washington was accustomed to call his own<br />

estate, was somehow <strong>the</strong> inspiration for <strong>landscape</strong> projects, which Thomas<br />

Jefferson created with greater skills and greater creative results. Fur<strong>the</strong>rmore, <strong>the</strong><br />

lawn at Mount Vernon represented, perhaps unwittingly and despite <strong>the</strong> skilfully<br />

concealed symmetry of its trapezoidal layout, <strong>the</strong> beginning of new picturesque<br />

<strong>the</strong>ories in America.<br />

The <strong>landscape</strong> of Mount Vernon is a significant testimony of <strong>the</strong> transition of<br />

colonial gardening practices to new, unexpected contributions, far beyond <strong>the</strong><br />

historic importance of <strong>the</strong> estate<br />

On <strong>the</strong> o<strong>the</strong>r hand, American construction itself never slavishly followed <strong>the</strong> fashion<br />

of architectural styles, on <strong>the</strong> contrary it adapted to <strong>the</strong> multiple technological and<br />

material resources, which had been made available over time. The traditional<br />

English wooden house in America was transformed into <strong>the</strong> floorboard<br />

209 See FISHER, Robert B., The Mount Vernon Gardens, Mount Vernon, Virginia, The Mount Vernon<br />

Ladies Association of <strong>the</strong> Union, 1960 and <strong>the</strong> article by SYKES, Meredith and STEWART, John<br />

“Historic Landscape Restoration in <strong>the</strong> United States and Canada: An Annotated Source Outline”<br />

published in Bulletin of <strong>the</strong> Association for Preservation Technology, Vol. 4, No. 3/4 (1972), pp.114‐<br />

158<br />

129

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