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building the american landscape - Univerza v Novi Gorici

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<strong>the</strong> “revelation” can also be seen, however, in Moby Dick, in which as before <strong>the</strong><br />

reader was not spared long, technical, encyclopaedic and sometimes even<br />

pedantic digressions, but most of all <strong>the</strong> protagonists were given names which<br />

could suggest <strong>the</strong> significance of <strong>the</strong> entire voyage narrated. If <strong>the</strong> message in<br />

Typee was represented by <strong>the</strong> desertion from <strong>the</strong> ship to a savage world, a new,<br />

uncontaminated land, Moby Dick, recalled <strong>the</strong> real expeditions to <strong>the</strong> West by<br />

using <strong>the</strong> epic allegory of <strong>the</strong> sea voyage.<br />

It could be said, <strong>the</strong>refore, that whereas Achab looked for <strong>the</strong> meaning of his life<br />

in <strong>the</strong> obscure depths of <strong>the</strong> Ocean, <strong>the</strong> pioneer searched for <strong>the</strong>m at <strong>the</strong> frontier<br />

and in <strong>the</strong> wilderness. Fur<strong>the</strong>rmore, Achab, Elijah, Gabriel and Ishmael were,<br />

without any doubt, names taken from <strong>the</strong> Scriptures, but such names were<br />

common in New England and Melville has legitimately taken some elements from<br />

daily life, thus creating a tension between <strong>the</strong> narrative and news of <strong>the</strong> time.<br />

To this sometimes candid and partially unconscious search for truth, he was able<br />

to add both <strong>the</strong> “biblical” message and at <strong>the</strong> same time <strong>the</strong> calling, which<br />

animated <strong>the</strong> Americans of that time, by reworking his personal experiences.<br />

Naturally we are aware of <strong>the</strong> limits of <strong>the</strong> proposed reading. It is clear that <strong>the</strong><br />

voyages told by Melville are nei<strong>the</strong>r simple chronicles, nor a literary expedient, nor<br />

even a naïve desire to evoke <strong>the</strong> religious world. They are understandably voyages<br />

and adventures with a universal significance, just as a universal significance can be<br />

ascribed to <strong>the</strong> explorers of <strong>the</strong> unknown lands of <strong>the</strong> West. All <strong>the</strong> possible<br />

interpretations of those events show <strong>the</strong> conflict between a desire of affirmation<br />

over nature and a fear of <strong>the</strong> unknown.<br />

Jean Baudrillard, in his well‐known essay Amérique (1986), highlights <strong>the</strong><br />

relationships between social, historical and economical changes which have<br />

formed part of <strong>the</strong> formation of <strong>the</strong> American vocation of appointing itself as a<br />

utopia come true. A land of age‐old religious experiences and confirmations, a<br />

symbol of <strong>the</strong> zero degree of European culture:<br />

“In <strong>the</strong> opinion of <strong>the</strong> European, America continues to remain a latent<br />

form of exile, a ghost of emigration and exile, and <strong>the</strong>refore a form of<br />

internalisation of its culture. At <strong>the</strong> same time, it corresponds to a<br />

violent extroversion and <strong>the</strong>refore to zero degree of <strong>the</strong> very same<br />

64

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