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building the american landscape - Univerza v Novi Gorici

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plans, perspectives and cross‐sections to describe <strong>the</strong> details of <strong>the</strong> <strong>building</strong>. These<br />

illustrations were designed to represent more complex scenes, often with<br />

perspective and axonometric projections, in which nature plays a leading role and<br />

where flora is drawn with scientific accuracy. In 1842, <strong>the</strong> year following <strong>the</strong><br />

publication of <strong>the</strong> Treatise, Norman and Davis continued to work toge<strong>the</strong>r. Downing<br />

decided to entrust Davis with <strong>the</strong> general review of <strong>the</strong> architectural drawings and<br />

details for his new book, Cottage Residences or A Series of Designs for Rural<br />

Cottages and Cottage‐Villas, and <strong>the</strong>ir Gardens and Grounds adapted to North<br />

America, published simultaneously in New York and London. Cottage Residences<br />

appears to be a catalogue of solutions. In it, Downing described <strong>the</strong> relationship<br />

between <strong>the</strong> house, garden and <strong>landscape</strong> and he dwelt on <strong>the</strong> architecture by<br />

means of accurate drawings.<br />

Downing believed <strong>the</strong> relationship between <strong>landscape</strong> and architecture to be based<br />

on architectural styles and revealed a complex, methodical approach at <strong>the</strong> same<br />

time. The recurring terms Downing used suggested solutions, which were <strong>the</strong> fruit<br />

of an excessive and sometimes fairy‐tale imagination: Tudor style, irregular mansion<br />

in <strong>the</strong> Italian style, irregular cottage in <strong>the</strong> old English style, villa in <strong>the</strong> Italian style,<br />

cottage in <strong>the</strong> Italian or Tuscan style [Figures 113‐114]. All styles are made from<br />

details, from a preference for vertical lines, for <strong>the</strong> slope of <strong>the</strong> roof pitch, from <strong>the</strong><br />

shapes and dimensions of <strong>the</strong> windows, from <strong>the</strong> arrangement of volumes as a<br />

reminder of Gothic revival, tainted with sudden, personal passions. In 1843, he<br />

edited <strong>the</strong> American edition of Gardening for Ladies by Jane Loudon, a popular book<br />

of practical gardening. A few years later in 1845, Downing published Fruits and Fruit<br />

Trees of America, ano<strong>the</strong>r book from <strong>the</strong> very successful publishing project, which<br />

reached <strong>the</strong> substantial number of fourteen reprints by 1852, <strong>the</strong> year he died. The<br />

final years of his life were dedicated to improving and reviewing his publications.<br />

Thus, a new title appeared on <strong>the</strong> market, The Architecture of Country Houses<br />

(1850), with revised and enlarged contents compared to his previous works on <strong>the</strong><br />

same topic. He formulated <strong>the</strong> details of <strong>the</strong> architectural trends and taste for <strong>the</strong><br />

picturesque of <strong>the</strong> time, and <strong>the</strong>se writings made Downing extremely popular<br />

among <strong>the</strong> ranks of experts and <strong>the</strong> wider public. His fame, however, was not<br />

149

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