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building the american landscape - Univerza v Novi Gorici

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At this point we should not be surprised by <strong>the</strong> film The Truman Show (1998), a<br />

refined American cinematographic production, which goes over and merges <strong>the</strong><br />

<strong>the</strong>mes of <strong>the</strong> gated communities with <strong>the</strong> equally relevant problems raised by <strong>the</strong><br />

reality shows, to propose True‐man as protagonist, who is capable of showing <strong>the</strong><br />

same non‐conformist reactions that stoked <strong>the</strong> souls of Thoreau or Whitman.<br />

A similar observation could be made that <strong>the</strong> film Into <strong>the</strong> Wild (2007) shows a true<br />

story, telling not only <strong>the</strong> real journey undertaken by <strong>the</strong> young protagonist<br />

towards <strong>the</strong> <strong>landscape</strong> of wilderness, but also a wider story, which begins with <strong>the</strong><br />

vicissitudes of <strong>the</strong> pioneers and continues with <strong>the</strong> stories of true free spirits, such<br />

as Jack London and Jack Kerouac.<br />

In o<strong>the</strong>r words, <strong>the</strong> various concepts of nature as Eden or as wild lands have fired<br />

<strong>the</strong> deep‐set, American religious feeling for <strong>the</strong> <strong>landscape</strong>, with <strong>the</strong> contradictory<br />

results repeatedly mentioned previously.<br />

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