building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
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The search for an ancient <strong>landscape</strong> for <strong>the</strong> dead, as described by Virgil and o<strong>the</strong>r<br />
classical authors, became an imaginary <strong>landscape</strong>, which recalled <strong>the</strong> picturesque<br />
garden and <strong>the</strong> <strong>landscape</strong>s created by European and American artists.<br />
Following <strong>the</strong> success of Mount Auburn, numerous o<strong>the</strong>r rural cemeteries<br />
developed, such as Laurel Hill Cemetery, Philadelphia (1836) [Figure 103‐104],<br />
Mount Hope Cemetery, Rochester, New York (1838), Greenwood Cemetery,<br />
Brooklyn (1838) [Figure 101], Green Mount Cemetery, Baltimore, Maryland (1838),<br />
Allegheny Cemetery, Pittsburgh (1844), and Albany Rural Cemetery, Menands, New<br />
York (1844). In 1849 <strong>the</strong> cemetery of Bellefontaine was opened in St. Louis, 222 <strong>the</strong><br />
first rural cemetery west of <strong>the</strong> Mississippi [Figure 102]. The 138 acres were<br />
designed by Almerin Hotchkiss (1816‐1903), <strong>landscape</strong> designer and creator of <strong>the</strong><br />
well‐known project for Greenwood Cemetery, and interest was highlighted by <strong>the</strong><br />
opinion expressed by Andrew Jackson a few years after its opening. Greenwood<br />
Cemetery had put Hotchkiss’ <strong>landscape</strong> gardening skills to <strong>the</strong> test 223 and had<br />
proved to be “grand, dignified, and park‐like” 224 . Despite <strong>the</strong> outbreak of a cholera<br />
epidemic in St. Louis, which required a rapid solution to <strong>the</strong> problem (approximately<br />
100 funerals a day were held in June 1849), <strong>the</strong> authorities in charge of cemetery<br />
affairs decided not to make provisional choices, as <strong>the</strong>y wanted to exploit an area,<br />
which could be used for future landscaping purposes. Following Hotchkiss’<br />
nomination as superintendent of <strong>the</strong> cemetery, <strong>the</strong> project design and construction<br />
of curved, undulating pathways suited to <strong>the</strong> undulating topography were begun.<br />
Hotchkiss remained as cemetery superintendent for <strong>the</strong> next 46 years, taking care<br />
of a fur<strong>the</strong>r development of approximately 200 acres, and paying close attention to<br />
<strong>the</strong> layout of precise, scenic areas. After a few years, <strong>the</strong> construction of funeral<br />
222 See DARNALL, Margareta J., “The American Cemetery as Picturesque Landscape: Bellefontaine<br />
Cemetery, St. Louis” Winterthur Portfolio, The University of Chicago Press, Vol. 18, No. 4 (Winter,<br />
1983), pp. 249‐269<br />
223 David Bates Douglass (1790‐1849), engineer and cemetery designer drafted <strong>the</strong> original expansion<br />
design, subsequently developed by Hotchkiss as superintendent. Hotchkiss worked with Zebedee<br />
Cook on <strong>the</strong> definitive plan of <strong>the</strong> cemetery.<br />
224 DOWNING, Andrew Jackson, cit. in NEWTON, Norman T., Design on <strong>the</strong> Land. The Development of<br />
Landscape Architecture, Cambridge, Massachusetts, The Belknap Press of Harvard University Press,<br />
1971, p. 268<br />
136