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building the american landscape - Univerza v Novi Gorici

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discern a careful study of <strong>the</strong> <strong>landscape</strong> and of <strong>the</strong> surrounding topography in<br />

relation to <strong>the</strong> planned cottages. The large open space at <strong>the</strong> centre of <strong>the</strong> layout<br />

consists of a rectangular Lawn on slightly sloping ground, edged along its long sides<br />

by ten small pavilions, as in Jefferson’s project. A club house acts as a communal<br />

<strong>building</strong> for <strong>the</strong> colony. Since it is in a central position and extends in various<br />

directions into <strong>the</strong> surrounding space, it allows <strong>the</strong> master plan to develop<br />

according to <strong>the</strong> typical organic principles of Wright’s architecture.<br />

From Jefferson’s project onwards, <strong>the</strong> lawn, as Therese O’Malley wrote, came to<br />

play <strong>the</strong> role of “convention in <strong>the</strong> visual representation of prestigious or prominent<br />

institutions, whe<strong>the</strong>r <strong>the</strong>y were private, religious, academic, or cultural” 211 .<br />

Washington and Jefferson’s projects represent <strong>the</strong> most obvious archetypes in <strong>the</strong><br />

use of <strong>the</strong> lawn, but <strong>the</strong> fascination played by <strong>the</strong> use of grassy surfaces also goes<br />

back to <strong>the</strong> pastoral ideas which were becoming common in those years. Important<br />

for American <strong>landscape</strong> gardening was <strong>the</strong> development of <strong>the</strong> first public green<br />

spaces, in which <strong>the</strong> designers could best experiment <strong>the</strong>ir picturesque <strong>the</strong>ories,<br />

without following <strong>the</strong> architectural fashions or <strong>the</strong> utilitarian needs imposed by<br />

agriculture. As Norman T. Newton sustains, as regards <strong>the</strong> <strong>landscape</strong> and Early<br />

American Backgrounds<br />

In contrast to <strong>the</strong> dearth of reliable information about <strong>the</strong> form of <strong>the</strong><br />

private gardens, examples of typical New England public open spaces<br />

can still be seen in such village greens as those of Ipswich and Lexington<br />

and in Commons like those of Boston and Cambridge. Of course <strong>the</strong>se<br />

public green spaces offered no signs of design intent, nor could <strong>the</strong>y<br />

accurately be called parks. They were originally intended as common<br />

cow‐pastures (hence <strong>the</strong> name) and for drilling <strong>the</strong> local militia, but <strong>the</strong>y<br />

provided a strong background of tradition when <strong>the</strong> time came for<br />

fostering <strong>the</strong> new notion of 212 .<br />

Fur<strong>the</strong>rmore, <strong>the</strong> most interesting aspect of <strong>the</strong> first green spaces designed as parks<br />

within <strong>the</strong> towns is that <strong>the</strong>y were designed specifically for public use. This purpose<br />

211 O’ MALLEY, Therese, “The Lawn in Early American Landscape and Garden Design” published in<br />

TEYSSOT, George (ed.), The American lawn, New York, Princeton Architectural press; Montreal,<br />

Canadian Centre for Architecture, 1999, p. 75<br />

212 NEWTON, Norman T., Design on <strong>the</strong> Land. The Development of Landscape Architecture,<br />

Cambridge, Massachusetts, The Belknap Press of Harvard University Press, 1971, p. 249<br />

131

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