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building the american landscape - Univerza v Novi Gorici

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Landscape as a principle of urban planning<br />

In <strong>the</strong> summer of 1850, before receiving <strong>the</strong> commission for <strong>the</strong> Mall project in<br />

Washington, Andrew Jackson Downing travelled to England to study English<br />

<strong>landscape</strong> design for himself. During a visit to London, Downing met Calvert Vaux<br />

(1824‐1895), a young apprentice architect in <strong>the</strong> office of Lewis Nockalls<br />

Cottingham (1787‐1847), a leading figure in <strong>the</strong> Gothic movement. At an exhibition<br />

of watercolour <strong>landscape</strong>s, Downing was deeply struck by Vaux’s artistic talent and<br />

was convinced he had found a man to help him put his <strong>landscape</strong> <strong>the</strong>ories into<br />

practice and apply <strong>the</strong>m to architecture. Vaux followed Downing to <strong>the</strong> United<br />

States, where <strong>the</strong>y worked toge<strong>the</strong>r for two years as partners and built several<br />

Gothic style houses.<br />

On Downing’s death in 1852, Vaux decided to continue his own professional career<br />

in New York and complete some housing projects he had begun with his old<br />

partner, to become a benchmark in <strong>the</strong> field of <strong>landscape</strong> design. The tragic end of<br />

<strong>the</strong> fa<strong>the</strong>r of <strong>the</strong> American <strong>landscape</strong> occurred when a steamboat went up in flames<br />

and finally destroyed <strong>the</strong> romantic dreams personified by <strong>the</strong> work of <strong>the</strong><br />

protagonists of <strong>the</strong> first half of <strong>the</strong> century. It had become necessary to reconcile<br />

<strong>the</strong> metropolis and nature. The picturesque impulses of <strong>landscape</strong> gardening had to<br />

face up to <strong>the</strong> new needs of <strong>the</strong> expanding city.<br />

Vaux and Olmsted were <strong>the</strong> interpreters of <strong>the</strong>se new demands. After <strong>the</strong> death of<br />

Downing and <strong>the</strong> commemoration of his genius, his lesson was revised and <strong>the</strong><br />

mythical elements around his person disappeared. The <strong>landscape</strong> was to take a<br />

decisive step forwards to become a modern tool of urban planning and<br />

fundamental premise for <strong>the</strong> development of <strong>the</strong> American city.<br />

The opportunity to test <strong>the</strong> renewed aes<strong>the</strong>tic needs was provided by <strong>the</strong><br />

competition to design Central Park in New York [Figures 121‐127], an urban park for<br />

which Downing himself had battled during his final years.<br />

New York was <strong>the</strong> ideal city in which to experiment any relapses in town planning in<br />

a large <strong>landscape</strong> project.<br />

154

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