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BIBLIOGRAPHY Full list of literature consulted for this review. Not all works are cited in the text. Works that are discussed at length or cited repeatedly are shown in bold type. Abfalter, Dagmar, and Peter J Mirski. 2005. ‘Perceived Success in the Arts.’ Conference Paper. 8 th International Conference on Arts & Cultural Management. http://neumann.hec.ca/aimac2005/PDF_Text/AbfalterD_MirskiP.pdf Americans for the Arts. 2012. Arts & Economic Prosperity: The Economic Impact of Nonprofit Arts and Culture Organizations and Their Audiences. Americans for the Arts. http://www.americansforthearts.org/by-program/reports-and-data/research-studies-publications/ arts-economic-prosperity-iv Armbrecht, John. 2012. The Value of Cultural Institutions – Measurement and Description. Dissertation. University of Gothenburg, Sweden. https://gupea.ub.gu.se/handle/2077/30684 Arts Council England. 2014. The value of arts and culture to people and society—an evidence review. Arts Council England. http://www.artscouncil.org.uk/media/uploads/pdf/The-value-of-arts-and-culture-to-people-andsociety-An-evidence-review-Mar-2014.pdf Aurier, Philippe, Yves Evrard, and Gilles N’Goala. 2004. ‘Comprendre et mesurer la valeur du point de vue du consommateur’ (Understanding and measuring the value from the consumer’s point of view). Recherche et Applications en Marketing 19:3. 1-20. http://ram.sagepub.com/content/19/3/1.abstract Jackie Bailey and Lance Richardson. 2010. ‘Meaningful measurement: A literature review and Australian and British case studies of arts organizations conducting “artistic self-assessment”’. Cultural Trends 19:4, 291-306. http://www.tandfonline.com/doi/abs/10.1080/09548963.2010.515004 128
Bailey, Jackie 2009a. Defining artistic vibrancy: A discussion paper for the major performing arts sector. Australia Council for the Arts. http://www.australiacouncil.gov.au/resources/reports_and_publications/subjects/arts_sector/defining_ artistic_vibrancy Bailey, Jackie. 2009b. Artistic Vibrancy: Self-Reflection Tool. Australia Council for the Arts. http://www.australiacouncil.gov.au/resources/reports_and_publications/subjects/arts_sector/artistic_ vibrancy_reflection_kit Bailey, Jackie. 2009c. Meaningful Measurement: A review of the literature about measuring artistic vibrancy. Australia Council for the Arts. http://www.australiacouncil.gov.au/resources/reports_and_publications/subjects/arts_sector/ meaningful_measurement Bakhshi, Hasan. 2012. ‘The impact of the “valuing culture” debates in the UK, 2003-2011’. Cultural Trends 21:3. 213-214. Bakhshi, Hasan, and David Throsby. 2010. Culture of Innovation: An Economic Analysis of Innovation in Arts and Cultural Organizations. NESTA. Bakhshi, Hasan, Juan Mateos-Garcia, and David Throsby. 2010. Beyond Live: Digital Innovation in the Performing Arts. NESTA. Bakhshi, Hasan, Alan Freeman, and Graham Hitchen. 2009. Measuring Intrinsic Value: How to stop worrying and love economics. Mission Money Models Web Publication. http://www.missionmodelsmoney.org.uk/resource/measuring-intrinsic-value-hasan-bakhshi-alanfreeman-graham-hitchen-2009 Beckert, Jens and Patrik Aspers. 2010. The worth of goods. Oxford University Press. Belfiore, Eleonora. 2012. ‘“Defensive instrumentalism” and the legacy of New Labour’s cultural policies’. Cultural Trends 21:2. 103-111. http://www.tandfonline.com/doi/abs/10.1080/09548963.2012.674750 Belfiore, Eleonora. 2010. ‘Is it really all about the evidence On the rhetorical aspect of cultural policy’, paper delivered at the 2010 edition of the International Conference on Cultural Policy Research (ICCPR), Jyväskylä, 24-27 August 2010 Bibliography 129 UNDERSTANDING the value and impacts of cultural experiences
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UNDERSTANDING the VALUE and IMPACTS
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However, we cannot ignore this ‘i
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TABLE OF CONTENTS 2 FOREWORD 4 ACKN
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EXECUTIVE SUMMARY Over the past dec
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dividing the overall value into con
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the necessity of limiting the scope
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espondents are conscious; 2) there
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Table 2 Stages of Individual Impact
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Figure 6 Impact pattern of a cultur
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Valuing arts and culture from the m
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cultural researchers are hamstrung
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organisation’s creative capacity
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The literature clearly identifies t
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1 INTRODUCTION This literature revi
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Outline of the report This literatu
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Economic value There are several di
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happy, healthy, educated people pro
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2 FRAMING THE CONVERSATION LANGUAGE
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six in particular. Indeed, the fact
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Arjo Klamer Within the field of Cul
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culture. By increasing people’s k
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that Holden mentions under the head
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public value’ (4). The authors de
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Figure 3 Tentative visual synthesis
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establish an interpretive frame and
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terpretive, curatorial, observation
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Knell and Taylor Due to the widespr
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of impacts with instrumental values
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the capacities to realise cultural
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3 MEASURING INDIVIDUAL IMPACT As wa
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While one might argue that the requ
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Table 1 Comparison of components of
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In Brown and Novak-Leonard (2007),
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Novak-Leonard’s terms) stands out
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Like Brown and Novak-Leonard and NE
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Table A-2: A grouping of indicators
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The same two studies also provide a
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Summary The fact that different res
Page 77 and 78: with audience members, and they all
Page 79 and 80: are applied in the evaluation of te
Page 81 and 82: White and Hede Tabitha White and An
Page 83 and 84: (2008) and Foreman-Wernet and Dervi
Page 85 and 86: Everett and Barrett Michelle Everet
Page 87 and 88: ‘sensation’, while Walmsley use
Page 89 and 90: Discussion of research methodologie
Page 91 and 92: analyse existing interviews from so
Page 93 and 94: Individual impacts are not fixed or
Page 95 and 96: 4 VALUING ARTS AND CULTURE FROM THE
Page 97 and 98: In reviewing types of goals, motiva
Page 99 and 100: Intrinsic • Self-oriented, active
Page 101 and 102: of audience members’ overall eval
Page 103 and 104: this factor leads the researchers t
Page 105 and 106: 5 CREATIVE CAPACITY OF AN ORGANISAT
Page 107 and 108: Sabine Boerner Sabine Boerner (2004
Page 109 and 110: Daniel Urrutiaguer Daniel Urrutiagu
Page 111 and 112: Hannah, Langsted and Larsen 1 Boern
Page 113 and 114: In entrusting the evaluation to exp
Page 115 and 116: of the major performing arts organi
Page 117 and 118: Clarity of intent and commitment to
Page 119 and 120: tional structure in determining art
Page 121 and 122: Supportive Networks (conditional el
Page 123 and 124: CODA: COMBINING MEASURES OF EXPERIE
Page 125 and 126: dimensions in the shaded boxes have
Page 127: The 2012 DCA report assures readers
Page 131 and 132: Margaret Bolton and Clare Cooper. 2
Page 133 and 134: Chappell, Michael, and John Knell.
Page 135 and 136: Falk, John H and Lynn D Dierking. 2
Page 137 and 138: Johanson, Kaya. 2013. ‘Listening
Page 139 and 140: Marsh, Kevin, and Evelina Bertranou
Page 141 and 142: New Economics Foundation. 2008. Cap
Page 143 and 144: Reason, Matthew. 2004. ‘Theatre a
Page 145 and 146: Throsby, David. 2010. The Economics
Page 147 and 148: Williams, Tandi. 2011. Community Re
Page 149 and 150: Hegarty, C Boyd. 2009. ‘The value
Page 151 and 152: APPENDIX TABLES Table A-1 A groupin
Page 153 and 154: Table A-3 A grouping of indicators
Page 155 and 156: Table A-5 A grouping of indicators
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