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public value’ (4). The authors demonstrate this in a chart that plots benefits along<br />
a continuum from private to public value and from intrinsic to instrumental on<br />
the other (Figure 2).<br />
While previous frameworks had not necessarily denied the possibility, there<br />
was a tendency to associate the immediate, personal experience of arts with<br />
private benefits and the larger social and economic significance of the arts with<br />
more diffuse public benefits. The RAND framework shows that the arts produce<br />
benefits in all four quadrants of the diagram.<br />
Figure 2 RAND’s Framework for Understanding the Benefits of the Arts<br />
(McCarthy et al 2004, 4). © RAND Corporation, Santa Monica, CA. Reprinted with permission.<br />
While benefits accrue in all sectors of chart, McCarthy and his colleagues assign<br />
special significance to the intrinsic benefits at the bottom of the diagram due to<br />
‘the central role intrinsic benefits play in generating all benefits’ (69). In their<br />
view, the individual’s experience of art is the source of both private and public<br />
benefits (4). That is, even the benefits that seem to have little to do with the<br />
appreciation of art, such as economic spillover effects accruing to businesses<br />
Framing the Conversation 45<br />
UNDERSTANDING the value and impacts of cultural experiences