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APPENDIX TABLES<br />
Table A-1 A grouping of indicators around engagement, energy and tension, concentration, captivation and<br />
absorption level<br />
NEF 2008* Bakhshi et al 2010†<br />
I was completely<br />
I was totally absorbed<br />
absorbed by what was (Aesthetic)<br />
happening (Engagement<br />
& concentration)<br />
I hardly noticed the time<br />
passing (Engagement &<br />
concentration)<br />
I was often on the edge of<br />
my seat (Engagement &<br />
concentration)<br />
I was gripped by the<br />
sights and sounds of the<br />
performance (Energy &<br />
tension)<br />
I felt tense and excited I felt real excitement<br />
(Energy & tension)<br />
because I knew that the<br />
performance was live (not<br />
categorized)<br />
Brown and Novak<br />
2007; Brown and<br />
Ratzkin 2012; Brown<br />
and Novak-Leonard<br />
2013 Boerner & Jobst<br />
At any point during the<br />
performance did you lose<br />
track of time and get fully<br />
absorbed (Captivation,<br />
2013)<br />
To what extent did you<br />
inhabit the world of<br />
the performers, lose<br />
track of time and forget<br />
about everything else<br />
(Captivation, 2007)<br />
How involved did you feel<br />
as an audience member<br />
(Captivation and personal<br />
involvement, 2012)<br />
Overall, how exciting or<br />
gripping was the performance<br />
(Captivation and<br />
personal involvement,<br />
2012)<br />
The performance caused<br />
me to forget everything<br />
around me (Emotional involvement)<br />
During the performance<br />
I was constantly very<br />
anxious to see what<br />
would happen next<br />
(Emotional involvement)<br />
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