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Čopič, Vesna. 2001. ‘Modernizing the Slovenian public cultural sector’. Cultural Policy Update 1:1. 12-20. http://www.boekman.nl/sites/default/files/downloads/free_downloads/cpu_2011_1.pdf Cultural Ministers Council Statistics Working Group. 2010. Vital Signs: Cultural Indicators for Australia. First Edition. Cultural Ministers Council. http://www.dca.wa.gov.au/Documents/New%20Research%20Hub/Vital%20Signs%20consultation%20 2014/Documents/Vital_Signs_Report.pdf Culture and Sport Evidence Program (CASE). 2010. Understanding the drivers, impact and value of engagement in culture and sport: an overarching summary of the research. Department for culture, media and sport (DCMS). http://www.culture.gov.uk/what_we_do/research_and_statistics/7275.aspx Diamond, Peter A, and Jerry A Hausman. 1994. ‘Contingent Valuation: Is Some Number better than No Number’ The Journal of Economic Perspectives 8:4. 45-64. Dragićević Šešić, Milena, and Sanjin Dragojević. 2005. Arts management in turbulent times: Adaptable Quality Management: Navigating the arts through the winds of change. European Cultural Foundation/ Boekmanstudies. Commissioned by the European Cultural Foundation. http://theatreforum.in/static/upload/docs/ArtsManagementBook.pdf DSP-GROEP. 2011. More Than Worth It. The Social Significance of Museums. Netherlands Museums Association. http://www.museumvereniging.nl/Portals/0/NMV%20%27More%20than%20worth%20it%27.pdf Eckersley, Susannah. 2008. ‘Supporting excellence in the arts: from measurement to judgement’. Cultural Trends 17:3. 183-187. Ellis, Adrian. 2003. ‘Valuing Culture’. Commissioned by Demos for the Valuing Culture conference. http://www.demos.co.uk/files/File/VACUAEllis.pdf Ellis, Adrian. 2002. ‘Taking Risk in Times of Adversity’. Background note written for The Ford Foundation/ Nonprofit Finance Fund. http://aeaconsulting.com/idea/taking_risk_in_times_of_adversity Everett, Michelle C, and Margaret S Barrett. 2011. ‘Benefits Visitors Derive from Sustained Engagement with a Single Museum’. Curator: The Museum Journal 54:4. 431–446. http://onlinelibrary.wiley.com/doi/10.1111/j.2151-6952.2011.00108.x/abstract Bibliography 134 UNDERSTANDING the value and impacts of cultural experiences
Falk, John H and Lynn D Dierking. 2008. ‘Re-envisioning success in the cultural sector’. Cultural Trends 17:4. 233-246. http://www.tandfonline.com/doi/full/10.1080/09548960802615372#.UwRTKY1DFXM Ferres, Kay, David Adair, and Ronda Jones. 2010. ‘Cultural indicators: assessing the state of the arts in Australia’. Cultural Trends 19:4. 261-272. Foreman-Wernet, Lois, and Brenda Dervin. 2013. ‘In the Context of Their Lives: How Audience Members Make Sense of Performing Arts Experiences’. In The Audience Experience: A critical analysis of audiences in the performing arts, edited by Jennifer Radbourne, Hilary Glow, and Katya Johanson. Bristol, UK and Chicago, USA: Intellect. 67-82. Foreman-Wernet, Lois, and Brenda Dervin. 2011. ‘Cultural experience in context: Sense-making the arts’. The Journal of Arts Management, Law, and Society 41:1. 1-37. http://www.tandfonline.com/doi/abs/10.1080/10632921.2011.545725 Foreman-Warnet, Lois, and Brenda Dervin, eds. Audiences and the Arts: Communication Perspectives. Cresskill, NJ: Hampton. Fourcade, Marion. 2010. ‘Price and prejudice: On economics and the enchantment/disenchantment of nature’. In.The worth of goods edited by Jens Beckert and Patrik Aspers. Oxford University Press. Frey, Bruno S. 2003. Arts & Economic: Analysis & Cultural Policy. 2 nd Edition. Berlin, Heidelberg, New York: Springer. Fujiwara, Daniel. 2013. Museums and happiness: The value of participating in museums and the arts. Commissioned by Museum of East Anglian Life with funding from Arts Council England. Gilhespy, Ian. 1999. ‘Measuring the Performance of Cultural Organizations: A Model’. International Journal of Arts Management 2:1. 38-52. Government of Western Australia, Department of Culture and the Arts. 2010.Creating Value: An Arts and Culture Sector Policy Framework. http://www.dca.wa.gov.au/About-US/our-policies/creating-value/ Hannah, Karen, Jørn Langsted, and Charlotte Rørdam Larsen. 2003[] ‘Evaluation of Artistic Quality in the Performing Arts’. Aarhus University. http://projekter.au.dk/en/grdummy/present/ Bibliography 135 UNDERSTANDING the value and impacts of cultural experiences
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UNDERSTANDING the VALUE and IMPACTS
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However, we cannot ignore this ‘i
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TABLE OF CONTENTS 2 FOREWORD 4 ACKN
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EXECUTIVE SUMMARY Over the past dec
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dividing the overall value into con
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the necessity of limiting the scope
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espondents are conscious; 2) there
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Table 2 Stages of Individual Impact
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Figure 6 Impact pattern of a cultur
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Valuing arts and culture from the m
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cultural researchers are hamstrung
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organisation’s creative capacity
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The literature clearly identifies t
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1 INTRODUCTION This literature revi
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Outline of the report This literatu
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Economic value There are several di
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happy, healthy, educated people pro
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2 FRAMING THE CONVERSATION LANGUAGE
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six in particular. Indeed, the fact
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Arjo Klamer Within the field of Cul
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culture. By increasing people’s k
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that Holden mentions under the head
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public value’ (4). The authors de
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Figure 3 Tentative visual synthesis
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establish an interpretive frame and
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terpretive, curatorial, observation
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Knell and Taylor Due to the widespr
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of impacts with instrumental values
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the capacities to realise cultural
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3 MEASURING INDIVIDUAL IMPACT As wa
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While one might argue that the requ
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Table 1 Comparison of components of
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In Brown and Novak-Leonard (2007),
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Novak-Leonard’s terms) stands out
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Like Brown and Novak-Leonard and NE
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Table A-2: A grouping of indicators
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The same two studies also provide a
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Summary The fact that different res
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with audience members, and they all
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are applied in the evaluation of te
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White and Hede Tabitha White and An
Page 83 and 84: (2008) and Foreman-Wernet and Dervi
Page 85 and 86: Everett and Barrett Michelle Everet
Page 87 and 88: ‘sensation’, while Walmsley use
Page 89 and 90: Discussion of research methodologie
Page 91 and 92: analyse existing interviews from so
Page 93 and 94: Individual impacts are not fixed or
Page 95 and 96: 4 VALUING ARTS AND CULTURE FROM THE
Page 97 and 98: In reviewing types of goals, motiva
Page 99 and 100: Intrinsic • Self-oriented, active
Page 101 and 102: of audience members’ overall eval
Page 103 and 104: this factor leads the researchers t
Page 105 and 106: 5 CREATIVE CAPACITY OF AN ORGANISAT
Page 107 and 108: Sabine Boerner Sabine Boerner (2004
Page 109 and 110: Daniel Urrutiaguer Daniel Urrutiagu
Page 111 and 112: Hannah, Langsted and Larsen 1 Boern
Page 113 and 114: In entrusting the evaluation to exp
Page 115 and 116: of the major performing arts organi
Page 117 and 118: Clarity of intent and commitment to
Page 119 and 120: tional structure in determining art
Page 121 and 122: Supportive Networks (conditional el
Page 123 and 124: CODA: COMBINING MEASURES OF EXPERIE
Page 125 and 126: dimensions in the shaded boxes have
Page 127 and 128: The 2012 DCA report assures readers
Page 129 and 130: Bailey, Jackie 2009a. Defining arti
Page 131 and 132: Margaret Bolton and Clare Cooper. 2
Page 133: Chappell, Michael, and John Knell.
Page 137 and 138: Johanson, Kaya. 2013. ‘Listening
Page 139 and 140: Marsh, Kevin, and Evelina Bertranou
Page 141 and 142: New Economics Foundation. 2008. Cap
Page 143 and 144: Reason, Matthew. 2004. ‘Theatre a
Page 145 and 146: Throsby, David. 2010. The Economics
Page 147 and 148: Williams, Tandi. 2011. Community Re
Page 149 and 150: Hegarty, C Boyd. 2009. ‘The value
Page 151 and 152: APPENDIX TABLES Table A-1 A groupin
Page 153 and 154: Table A-3 A grouping of indicators
Page 155 and 156: Table A-5 A grouping of indicators
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