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Belfiore, Eleonora. 2006. ‘Sounding board - Evaluating value’. ArtsProfessional 115. 10-11. http://www.artsprofessional.co.uk/magazine/article/sounding-board-evaluating-%18value Belfiore, Eleonora. 2002. ‘Art as a Means of Alleviating Social Exclusion: Does it Really Work A critique of instrumental cultural policies and social impact studies in the UK’. International Journal of Cultural Policy 8:1. 91-106. Belfiore, Eleonora, and Oliver Bennett. 2010. ‘Beyond the “toolkit approach”: Arts impact evaluation research and the realities of cultural policy-making’. Journal for Cultural Research 14:2. 121-142. http://www.tandfonline.com/doi/pdf/10.1080/14797580903481280 Belfiore, Eleonora, and Oliver Bennett. 2008.The Social Impact of the Arts: An Intellectual History. Palgrave Macmillan. Belfiore, Eleonora, and Oliver Bennett. 2007. ‘Determinants of Impact: Towards a Better Understanding of Encounters with the Arts.’ Cultural Trends 16:3. 225-275. Bjørnsen, Egil. 2012. ‘Norwegian cultural policy—A civilising mission The Cultural Rucksack and abstract faith in the transforming powers of the arts’. Poetics 40:4. 383-404. http://www.sciencedirect.com/science/article/pii/S0304422X1200040X Bodo, Simona, Cristina Da Milano, and Silvia Mascheroni. 2009. Periferie, cultura e inclusione sociale. Milano: Fondazione Cariplo. http://www.fondazionecariplo.it/portal/upload/ent3/1/Quaderno1PeriferieWeb.pdf Boerner, Sabine. 2004. ‘Artistic quality in an opera company: toward the development of a concept’. Nonprofit management and leadership 14:4. 425-436. Boerner, Sabine, and Johanna Jobst. 2013. ‘Enjoying theater: The role of visitor’s response to the performance’. Psychology of Aesthetics, Creativity, and the Arts 7:4. 391-408. Boerner, Sabine, and Johanna Jobst. 2008. ‘The Perception of Artistic Quality in Opera: Results from a Field Study’. Journal of New Music Research 37:3. 233-245. http://www.tandfonline.com/doi/abs/10.1080/09298210802542008#.UwO05I1DFXM Boerner, Sabine, and Sabine Renz. 2008. ‘Performance Measurement in Opera Companies: Comparing the subjective quality judgments of experts and non-experts’. International Journal of Arts Management 10:3. 21-37. Bibliography 130 UNDERSTANDING the value and impacts of cultural experiences
Margaret Bolton and Clare Cooper. 2010. Capital Matters: How to build financial resilience in the UK’s arts and cultural sector, Mission Models Money. http://www.missionmodelsmoney.org.uk/sites/default/files/46810131-Capital-Matters-final_1.pdf BOP Consulting. 2012. Measuring the economic benefits of arts and culture: Practical guidance on research methodologies for arts and cultural organisations. Arts Council England. http://www.artscouncil.org.uk/media/uploads/pdf/Final_economic_benefits_of_arts.pdf Botti, Simona. 2000. ‘What Role for Marketing in the Arts An Analysis of Art Consumption and Artistic Value’. International Journal of Arts Management 2:3. 14-27. http://www.gestiondesarts.com/en/what-role-for-marketing-in-the-arts-an-analysis-of-artsconsumption-and-artistic-value#.UwunF41DFXM Bouder-Pailler, Danielle. 1999. ‘A Model for Measuring the Goals of Theatre Attendance’. International Journal of Arts Management 1:2. 4-15. Bourdieu, Pierre. 1984 [French original published 1979]. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice. Harvard University Press. Bourgeon-Renault, Dominique. 2000. ‘Evaluating Consumer Behavior in the Field of Arts and Culture Marketing’. International Journal of Arts Management 3:1. 4-18. Brown, Alan S ‘An Architecture of Value’. 2006. Grantmakers in the Arts Reader 17.1. 18-25. Brown, Alan S and Associates LLC. 2004. The Values Study, Rediscovering the Meaning and Value of Arts Participation. Commissioned by the Connecticut Commission on Culture and Tourism. http://www.giarts.org/sites/default/files/values-study-rediscovering-the-meaning-and-value-of-artsparticipation.pdf Brown, Alan S, and Jennifer L Novak-Leonard. 2013. ‘Measuring the intrinsic impacts of arts attendance’. Cultural Trends, 22:3-4, 223-233. Brown, Alan S, and Jennifer L Novak-Leonard. 2007. Assessing the Intrinsic Impacts of a Live Performance. Commissioned by 14 Major University Presenters. Brown, Alan S, and Rebecca Ratzkin. 2012. ‘Understanding the Intrinsic Impact of Live Theatre: Patterns of Audience Feedback across 18 Theatres and 58 Productions’. In Counting New Beans: Intrinsic Impact and the Value of Art, edited by Clayton Lord. San Francisco: Theatre Bay Area. 67-164. Bibliography 131 UNDERSTANDING the value and impacts of cultural experiences
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UNDERSTANDING the VALUE and IMPACTS
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However, we cannot ignore this ‘i
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TABLE OF CONTENTS 2 FOREWORD 4 ACKN
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EXECUTIVE SUMMARY Over the past dec
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dividing the overall value into con
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the necessity of limiting the scope
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espondents are conscious; 2) there
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Table 2 Stages of Individual Impact
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Figure 6 Impact pattern of a cultur
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Valuing arts and culture from the m
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cultural researchers are hamstrung
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organisation’s creative capacity
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The literature clearly identifies t
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1 INTRODUCTION This literature revi
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Outline of the report This literatu
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Economic value There are several di
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happy, healthy, educated people pro
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2 FRAMING THE CONVERSATION LANGUAGE
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six in particular. Indeed, the fact
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Arjo Klamer Within the field of Cul
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culture. By increasing people’s k
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that Holden mentions under the head
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public value’ (4). The authors de
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Figure 3 Tentative visual synthesis
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establish an interpretive frame and
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terpretive, curatorial, observation
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Knell and Taylor Due to the widespr
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of impacts with instrumental values
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the capacities to realise cultural
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3 MEASURING INDIVIDUAL IMPACT As wa
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While one might argue that the requ
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Table 1 Comparison of components of
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In Brown and Novak-Leonard (2007),
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Novak-Leonard’s terms) stands out
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Like Brown and Novak-Leonard and NE
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Table A-2: A grouping of indicators
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The same two studies also provide a
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Summary The fact that different res
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with audience members, and they all
Page 79 and 80: are applied in the evaluation of te
Page 81 and 82: White and Hede Tabitha White and An
Page 83 and 84: (2008) and Foreman-Wernet and Dervi
Page 85 and 86: Everett and Barrett Michelle Everet
Page 87 and 88: ‘sensation’, while Walmsley use
Page 89 and 90: Discussion of research methodologie
Page 91 and 92: analyse existing interviews from so
Page 93 and 94: Individual impacts are not fixed or
Page 95 and 96: 4 VALUING ARTS AND CULTURE FROM THE
Page 97 and 98: In reviewing types of goals, motiva
Page 99 and 100: Intrinsic • Self-oriented, active
Page 101 and 102: of audience members’ overall eval
Page 103 and 104: this factor leads the researchers t
Page 105 and 106: 5 CREATIVE CAPACITY OF AN ORGANISAT
Page 107 and 108: Sabine Boerner Sabine Boerner (2004
Page 109 and 110: Daniel Urrutiaguer Daniel Urrutiagu
Page 111 and 112: Hannah, Langsted and Larsen 1 Boern
Page 113 and 114: In entrusting the evaluation to exp
Page 115 and 116: of the major performing arts organi
Page 117 and 118: Clarity of intent and commitment to
Page 119 and 120: tional structure in determining art
Page 121 and 122: Supportive Networks (conditional el
Page 123 and 124: CODA: COMBINING MEASURES OF EXPERIE
Page 125 and 126: dimensions in the shaded boxes have
Page 127 and 128: The 2012 DCA report assures readers
Page 129: Bailey, Jackie 2009a. Defining arti
Page 133 and 134: Chappell, Michael, and John Knell.
Page 135 and 136: Falk, John H and Lynn D Dierking. 2
Page 137 and 138: Johanson, Kaya. 2013. ‘Listening
Page 139 and 140: Marsh, Kevin, and Evelina Bertranou
Page 141 and 142: New Economics Foundation. 2008. Cap
Page 143 and 144: Reason, Matthew. 2004. ‘Theatre a
Page 145 and 146: Throsby, David. 2010. The Economics
Page 147 and 148: Williams, Tandi. 2011. Community Re
Page 149 and 150: Hegarty, C Boyd. 2009. ‘The value
Page 151 and 152: APPENDIX TABLES Table A-1 A groupin
Page 153 and 154: Table A-3 A grouping of indicators
Page 155 and 156: Table A-5 A grouping of indicators
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