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Neural Correlates of Processing Syntax in Music and ... - PubMan

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General Discussion 167<br />

Methodological considerations: The use <strong>of</strong> additional evaluation methods might enable<br />

to ga<strong>in</strong> further <strong>in</strong>sight from the present data. Firstly, the analysis <strong>of</strong> frequency character-<br />

istics may provide additional knowledge <strong>of</strong> which k<strong>in</strong>d <strong>of</strong> cognitive processes contribute<br />

to the process<strong>in</strong>g <strong>of</strong> musical <strong>and</strong> l<strong>in</strong>guistic syntax <strong>and</strong> if these processes differ between<br />

the groups <strong>of</strong> participants. The basic assumption is that particular classes <strong>of</strong> cognitive<br />

processes are related to certa<strong>in</strong> frequency signatures. Recently, there are – to my<br />

knowledge – no studies that <strong>in</strong>vestigated the frequency characteristics <strong>of</strong> syntactic process<strong>in</strong>g<br />

<strong>in</strong> music <strong>and</strong> language. However, such evaluation would have been beyond the<br />

scope <strong>of</strong> the present work. Pr<strong>of</strong>ound knowledge about which cognitive processes can be<br />

related to a particular frequency signature is needed for a pr<strong>of</strong>icient <strong>in</strong>terpretation <strong>of</strong><br />

such data. A second method, coupl<strong>in</strong>g measures might enhance our underst<strong>and</strong><strong>in</strong>g <strong>of</strong><br />

which bra<strong>in</strong> regions <strong>in</strong>teract <strong>in</strong> which ways when musical <strong>and</strong> l<strong>in</strong>guistic syntax are<br />

processed. However, s<strong>in</strong>ce these coupl<strong>in</strong>g measures are based on relations between the<br />

scalp electrodes, they provide rather crude <strong>in</strong>formation about the localization <strong>of</strong> these<br />

processes. Only a limited number <strong>of</strong> electrodes were used <strong>in</strong> the experiments <strong>of</strong> the<br />

present work, s<strong>in</strong>ce technical <strong>and</strong> practical limitations <strong>of</strong> the current measurement<br />

equipment did not allow for acquir<strong>in</strong>g measurements from a larger number <strong>of</strong> electrodes.<br />

Thus, source localisation will not be possible. F<strong>in</strong>ally, the scalp distribution <strong>of</strong><br />

most <strong>of</strong> the ERP components that were <strong>in</strong>vestigated <strong>in</strong> this study was rather broad. The<br />

computations <strong>of</strong> surface Laplacian transformations (it is a measure current source density<br />

on the scalp obta<strong>in</strong>ed with spl<strong>in</strong>e functions) may help to specify more exactly the<br />

scalp site where these ERP responses are strongest.<br />

Theoretical issues: Even though the present data allow for determ<strong>in</strong><strong>in</strong>g at which age<br />

first signs <strong>of</strong> process<strong>in</strong>g musical syntax become established, this does not allow to <strong>in</strong>vestigate<br />

on which other basic processes these are grounded <strong>and</strong> how these processes<br />

become established. That is, currently it is not clear which process<strong>in</strong>g stages are a prerequisite<br />

for the acquisition <strong>of</strong> music-syntactic regularities. For example, it is currently<br />

not known if it is necessary to extract the key <strong>in</strong> order to have a referential system, or if<br />

the acquisition <strong>of</strong> music-syntactic regularities might also take place on the basis <strong>of</strong> the<br />

computation <strong>of</strong> frequency relations between succeed<strong>in</strong>g tones or chords. Such topics<br />

might be <strong>in</strong>vestigated us<strong>in</strong>g, e.g., MMN paradigms (Brattico et al., 2006; Fujioka et al.,<br />

2005) or modell<strong>in</strong>g <strong>of</strong> these processes <strong>in</strong> neural networks (Bharucha, 1987; Tillmann et<br />

al., 2000).<br />

Utiliz<strong>in</strong>g the knowledge gathered from this work: The results <strong>of</strong> the Experiments <strong>in</strong> this<br />

work demonstrate the strong relation between music <strong>and</strong> language: Both, the lack <strong>of</strong><br />

ERP correlates <strong>of</strong> music-syntactic process<strong>in</strong>g <strong>in</strong> the 5-year old children with SLI as well<br />

as the f<strong>in</strong>d<strong>in</strong>g <strong>of</strong> an improved process<strong>in</strong>g <strong>of</strong> both musical <strong>and</strong> l<strong>in</strong>guistic syntax <strong>in</strong> the 11-

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