Neural Correlates of Processing Syntax in Music and ... - PubMan
Neural Correlates of Processing Syntax in Music and ... - PubMan
Neural Correlates of Processing Syntax in Music and ... - PubMan
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
General Discussion 167<br />
Methodological considerations: The use <strong>of</strong> additional evaluation methods might enable<br />
to ga<strong>in</strong> further <strong>in</strong>sight from the present data. Firstly, the analysis <strong>of</strong> frequency character-<br />
istics may provide additional knowledge <strong>of</strong> which k<strong>in</strong>d <strong>of</strong> cognitive processes contribute<br />
to the process<strong>in</strong>g <strong>of</strong> musical <strong>and</strong> l<strong>in</strong>guistic syntax <strong>and</strong> if these processes differ between<br />
the groups <strong>of</strong> participants. The basic assumption is that particular classes <strong>of</strong> cognitive<br />
processes are related to certa<strong>in</strong> frequency signatures. Recently, there are – to my<br />
knowledge – no studies that <strong>in</strong>vestigated the frequency characteristics <strong>of</strong> syntactic process<strong>in</strong>g<br />
<strong>in</strong> music <strong>and</strong> language. However, such evaluation would have been beyond the<br />
scope <strong>of</strong> the present work. Pr<strong>of</strong>ound knowledge about which cognitive processes can be<br />
related to a particular frequency signature is needed for a pr<strong>of</strong>icient <strong>in</strong>terpretation <strong>of</strong><br />
such data. A second method, coupl<strong>in</strong>g measures might enhance our underst<strong>and</strong><strong>in</strong>g <strong>of</strong><br />
which bra<strong>in</strong> regions <strong>in</strong>teract <strong>in</strong> which ways when musical <strong>and</strong> l<strong>in</strong>guistic syntax are<br />
processed. However, s<strong>in</strong>ce these coupl<strong>in</strong>g measures are based on relations between the<br />
scalp electrodes, they provide rather crude <strong>in</strong>formation about the localization <strong>of</strong> these<br />
processes. Only a limited number <strong>of</strong> electrodes were used <strong>in</strong> the experiments <strong>of</strong> the<br />
present work, s<strong>in</strong>ce technical <strong>and</strong> practical limitations <strong>of</strong> the current measurement<br />
equipment did not allow for acquir<strong>in</strong>g measurements from a larger number <strong>of</strong> electrodes.<br />
Thus, source localisation will not be possible. F<strong>in</strong>ally, the scalp distribution <strong>of</strong><br />
most <strong>of</strong> the ERP components that were <strong>in</strong>vestigated <strong>in</strong> this study was rather broad. The<br />
computations <strong>of</strong> surface Laplacian transformations (it is a measure current source density<br />
on the scalp obta<strong>in</strong>ed with spl<strong>in</strong>e functions) may help to specify more exactly the<br />
scalp site where these ERP responses are strongest.<br />
Theoretical issues: Even though the present data allow for determ<strong>in</strong><strong>in</strong>g at which age<br />
first signs <strong>of</strong> process<strong>in</strong>g musical syntax become established, this does not allow to <strong>in</strong>vestigate<br />
on which other basic processes these are grounded <strong>and</strong> how these processes<br />
become established. That is, currently it is not clear which process<strong>in</strong>g stages are a prerequisite<br />
for the acquisition <strong>of</strong> music-syntactic regularities. For example, it is currently<br />
not known if it is necessary to extract the key <strong>in</strong> order to have a referential system, or if<br />
the acquisition <strong>of</strong> music-syntactic regularities might also take place on the basis <strong>of</strong> the<br />
computation <strong>of</strong> frequency relations between succeed<strong>in</strong>g tones or chords. Such topics<br />
might be <strong>in</strong>vestigated us<strong>in</strong>g, e.g., MMN paradigms (Brattico et al., 2006; Fujioka et al.,<br />
2005) or modell<strong>in</strong>g <strong>of</strong> these processes <strong>in</strong> neural networks (Bharucha, 1987; Tillmann et<br />
al., 2000).<br />
Utiliz<strong>in</strong>g the knowledge gathered from this work: The results <strong>of</strong> the Experiments <strong>in</strong> this<br />
work demonstrate the strong relation between music <strong>and</strong> language: Both, the lack <strong>of</strong><br />
ERP correlates <strong>of</strong> music-syntactic process<strong>in</strong>g <strong>in</strong> the 5-year old children with SLI as well<br />
as the f<strong>in</strong>d<strong>in</strong>g <strong>of</strong> an improved process<strong>in</strong>g <strong>of</strong> both musical <strong>and</strong> l<strong>in</strong>guistic syntax <strong>in</strong> the 11-