07.12.2012 Views

Neural Correlates of Processing Syntax in Music and ... - PubMan

Neural Correlates of Processing Syntax in Music and ... - PubMan

Neural Correlates of Processing Syntax in Music and ... - PubMan

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Music</strong> <strong>and</strong> Language 49<br />

Nonetheless, the parts <strong>of</strong> this network are not necessarily specific to the process<strong>in</strong>g <strong>of</strong><br />

syntax: e.g., the <strong>in</strong>ferior part <strong>of</strong> the right IFG was found to be <strong>in</strong>volved <strong>in</strong> prosody process<strong>in</strong>g<br />

(cf. Friederici & Alter, 2004; see also M. Meyer et al., 2000; Wartenburger et al.,<br />

2007). Vice versa, the left IFG was found to subserve a variety <strong>of</strong> musically relevant<br />

activities, e.g., music discrim<strong>in</strong>ation (Platel et al., 1997), process<strong>in</strong>g <strong>and</strong> organization <strong>of</strong><br />

sequential sound stimuli (Platel et al., 1997), sight read<strong>in</strong>g (Sergent et al., 1992), <strong>and</strong><br />

score read<strong>in</strong>g while listen<strong>in</strong>g to the accuracy <strong>of</strong> a performance (Parsons, 2001). Similar<br />

bra<strong>in</strong> regions were <strong>in</strong>volved <strong>in</strong> the process<strong>in</strong>g <strong>of</strong> rhythmic <strong>in</strong>formation (<strong>in</strong>terval length,<br />

Schubotz & von Cramon, 2001b) <strong>and</strong> <strong>in</strong> the perception <strong>and</strong> reproduction <strong>of</strong> rapid temporal<br />

pattern (Fiez et al., 1995; Platel et al., 1997; Rao et al., 1997; Schubotz et al.,<br />

2000).<br />

Put to a more abstract level, the functional significance <strong>of</strong> the <strong>in</strong>ferior frontal cortex<br />

may be related to sequential operations <strong>in</strong> order to process <strong>and</strong> <strong>in</strong>tegrate structured <strong>in</strong>formation<br />

(see Bornkessel, Zysset, Friederici, von Cramon, & Schlesewsky, 2005; Gelf<strong>and</strong><br />

& Bookheimer, 2003; Janata & Grafton, 2003; Mesulam, 1998).<br />

Lashley (1951) proposed that sequenc<strong>in</strong>g <strong>and</strong> coord<strong>in</strong>ation <strong>of</strong> behaviour may be regarded<br />

as a form <strong>of</strong> grammar. In accordance, the ability to reproduce arbitrary sequences<br />

<strong>of</strong> 5 gestures was predictive for later grammatical development (around 28<br />

months <strong>of</strong> age; Bauer, Hertsgaard, Dropik, & Daly, 1998). S<strong>in</strong>ce movements can be<br />

considered as communicative gestures there might be a relation to language. The <strong>in</strong>ferior<br />

frontal cortex (especially the pars opercularis <strong>and</strong> the adjacent ventral premotor<br />

cortex) were <strong>in</strong>volved <strong>in</strong> a wide range <strong>of</strong> motor functions (for a review, see B<strong>in</strong>k<strong>of</strong>ski &<br />

Bucc<strong>in</strong>o, 2004). For example, this bra<strong>in</strong> area was shown to code motor schemas relevant<br />

for grasp<strong>in</strong>g objects (Jeannerod, Arbib, Rizzolatti, & Sakata, 1995; Rizzolatti et al.,<br />

1996; Rizzolatti, Fogassi, & Gallese, 2002) <strong>and</strong> to have complementary cognitive functions,<br />

<strong>in</strong>volved <strong>in</strong> represent<strong>in</strong>g, imag<strong>in</strong><strong>in</strong>g <strong>and</strong> underst<strong>and</strong><strong>in</strong>g observed actions<br />

(B<strong>in</strong>k<strong>of</strong>ski et al., 2000; Hamzei et al., 2003; Rizzolatti & Craighero, 2004; Rizzolatti et<br />

al., 2002; Schubotz & von Cramon, 2002).<br />

4.4 Conclusion<br />

It was shown, that language <strong>and</strong> music may have evolved from a common ancestor.<br />

This might be the reason why strong similarities between these two doma<strong>in</strong>s can be<br />

observed. Moreover, some process<strong>in</strong>g mechanisms <strong>and</strong> constra<strong>in</strong>ts may be <strong>in</strong>volved <strong>in</strong><br />

both, the acquisition <strong>of</strong> music <strong>and</strong> language. Moreover, prosody – represent<strong>in</strong>g the musical<br />

aspects <strong>of</strong> language – is assumed to pave the <strong>in</strong>fant’s way <strong>in</strong>to the acquisition <strong>of</strong><br />

semantics <strong>and</strong> syntax. With respect to the neural correlates, there is considerable evidence<br />

for a strong overlap <strong>of</strong> these between language <strong>and</strong> music process<strong>in</strong>g: it was

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!