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Neural Correlates of Processing Syntax in Music and ... - PubMan

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<strong>Music</strong>al Tra<strong>in</strong><strong>in</strong>g 34<br />

a causal effect on academic achievement. It was <strong>in</strong>stead assumed that moderat<strong>in</strong>g variables,<br />

such as socioeconomic status or familial attitudes to learn<strong>in</strong>g, might underlie<br />

these associations. Nonetheless, arts tra<strong>in</strong><strong>in</strong>g might stimulate motivational <strong>and</strong> attitud<strong>in</strong>al<br />

changes (as <strong>in</strong>creas<strong>in</strong>g self-confidence <strong>and</strong> perseverance, develop<strong>in</strong>g high st<strong>and</strong>ards<br />

as well as cooperativeness, <strong>and</strong> reduc<strong>in</strong>g stress). These, <strong>in</strong> turn, may spill over <strong>in</strong>to<br />

academic achievement.<br />

<strong>Music</strong>al aptitude was correlated with general <strong>in</strong>telligence <strong>in</strong> some studies (see, e.g.,<br />

Hanshumaker, 1980; Lynn, Graham Wilson, & Gault, 1989). However, Helmbold,<br />

Rammsayer, <strong>and</strong> Altenmüller (2005) did not f<strong>in</strong>d <strong>in</strong>telligence differences between musicians<br />

<strong>and</strong> non-musicians. Moreover, they observed a comparable factor structure <strong>of</strong><br />

<strong>in</strong>telligence, contradict<strong>in</strong>g the notion <strong>of</strong> qualitative differences <strong>in</strong> <strong>in</strong>telligence between<br />

both groups. Schellenberg (2004) exam<strong>in</strong>ed <strong>in</strong> a tra<strong>in</strong><strong>in</strong>g study, if music lessons enhance<br />

IQ. Children were r<strong>and</strong>omly assigned to groups that either received musical tra<strong>in</strong><strong>in</strong>g,<br />

drama lessons, or no lessons. Increases <strong>in</strong> full-scale IQ were found <strong>in</strong> all groups,<br />

but these were more pronounced <strong>in</strong> the musically-tra<strong>in</strong>ed group. In a further study,<br />

Schellenberg (2006) demonstrated a positive association between musical tra<strong>in</strong><strong>in</strong>g <strong>and</strong><br />

IQ (<strong>of</strong> around 7 IQ po<strong>in</strong>t dur<strong>in</strong>g adolescence <strong>and</strong> 2 IQ po<strong>in</strong>ts <strong>in</strong> early adulthood) as well<br />

as with measures <strong>of</strong> academic achievement. This relation rema<strong>in</strong>ed significant even<br />

when confound<strong>in</strong>g variables (as family <strong>in</strong>come, <strong>and</strong> parent’s education) were statistically<br />

controlled. <strong>Music</strong>al tra<strong>in</strong><strong>in</strong>g may be also beneficial for older adults: Bugos, Perlste<strong>in</strong>,<br />

Brophy, <strong>and</strong> Bedenbaugh (2004) demonstrated improved cognitive abilities (as<br />

temporal work<strong>in</strong>g memory, plann<strong>in</strong>g, concentration, <strong>and</strong> strategy ma<strong>in</strong>tenance) after<br />

<strong>in</strong>dividualized piano <strong>in</strong>struction.<br />

Influences <strong>of</strong> musical tra<strong>in</strong><strong>in</strong>g on visual <strong>and</strong> spatial abilities<br />

Visual-spatial reason<strong>in</strong>g requires mentally ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g images, transform<strong>in</strong>g, <strong>and</strong> comb<strong>in</strong><strong>in</strong>g<br />

these images <strong>in</strong>to a mean<strong>in</strong>gful whole – a process which is also used by musicians<br />

<strong>in</strong> the performance <strong>of</strong> musical tasks (see, e.g., Patel, Peretz, Tramo, & Labreque,<br />

1998). Especially <strong>in</strong>terval analysis <strong>of</strong> sequential <strong>in</strong>dividual notes <strong>and</strong> pattern recognition<br />

<strong>of</strong> chords are regarded to enhance visual-spatial abilities (Slum<strong>in</strong>g et al., 2002, 2007).<br />

There is accumulat<strong>in</strong>g evidence for the enhanced performance <strong>of</strong> musicians <strong>in</strong> visualspatial<br />

tasks (see, e.g., Barrett & Barker, 1973; Bilhartz, Bruhn, & Olson, 1999; Costa-<br />

Giomi, Gilmour, Siddell, & Lefebvre, 2001; Hassler, Birbaumer, & Feil, 1985; Hetl<strong>and</strong>,<br />

2000 [for a review]; Karma, 1979; Nelson & Barresi, 1989). 7 However, the results <strong>of</strong><br />

7<br />

A (short-termed) improvement <strong>in</strong> visual-spatial reason<strong>in</strong>g after hear<strong>in</strong>g an excerpt from a Mozart piano<br />

sonata (termed Mozart-effect) was proposed by Rauscher, Shaw, <strong>and</strong> Ky (1995). However, studies that<br />

are well-controlled tended to report non-significant f<strong>in</strong>d<strong>in</strong>gs (see, e.g., Chabris, 1999; see, e.g., Steele,

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