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The Rampart, The Traffic Artery, and the Park; Designing for the city regions of Antwerp

Through a close reading of Antwerp’s current spatial and socio-economic composition, and the introduction of the interplay between the city’s three defining paradigms – abstracted to ‘The Rampart, the Traffic Artery, and the Park’ – this study tries to sketch a unifying strategy for Antwerp’s metropole. A strategy that embeds residential, economic, cultural, recreational, climatic, and historical motives within the different city regions. Thereby improving the connection between the left and right side of the river; transitioning the suburban region to a more polycentric structure while maintaining a spatial relation to the city; and explicitly manages the horizontal growth of the periphery. But that most importantly, captures the metropole in a single narrative from its inner-city to its outer edges. Graduation thesis prepared for the master’s degree in urban design at the Eindhoven University of Technology.

Through a close reading of Antwerp’s current spatial and socio-economic composition, and the introduction of the interplay between the city’s three defining paradigms – abstracted to ‘The Rampart, the Traffic Artery, and the Park’ – this study tries to sketch a unifying strategy for Antwerp’s metropole. A strategy that embeds residential, economic, cultural, recreational, climatic, and historical motives within the different city regions. Thereby improving the connection between the left and right side of the river; transitioning the suburban region to a more polycentric structure while maintaining a spatial relation to the city; and explicitly manages the horizontal growth of the periphery. But that most importantly, captures the metropole in a single narrative from its inner-city to its outer edges.

Graduation thesis prepared for the master’s degree in urban design at the Eindhoven University of Technology.

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Figure 1.32

The Ford Model T in its iconic black

rendition (Kirn Vintage Stock, 2015).

3.

Translated into English in 1929 as The

City of To-morrow and its Planning.

4.

Translated into English in 1967 as The

Radiant City.

Utopian optimism

The image of the car and the infrastructure that exists because of it, has had

quite a rocky ride throughout its history. The car started to rise, at large,

around the time Henry Ford started manufacturing the Ford model T; the first

mass-produced car in 1908. The moving assembly line on which the model

was produced, allowed Ford to reduce the prices so that most people could afford

it. In the nineteen years that the automobile was manufactured, Ford was

able to produce over 15 million models and thereby managed to extended its

reach far beyond the United states; putting almost the entire world on wheels

(History.com Editors, 2020; Brooke, 2008).

The entrance of the car in people’s everyday life spurred the imagination

of how cities should function, and what they would look like with this new

mode of transportation. The automobile became a symbol of modernity and

progress, and it became an omnipresent feature in many drawings, like those

of Harvey Wiley Corbett or Hugh Ferriss, and utopian city concepts developed

in the early twentieth century (Lorenzo, 2015, p. 29). Le Corbusier’s Urbanisme

3 published in 1924, was one of the first proposals for a more car-oriented

approach when designing for cities. In his view, cities did not yet tap into

the potential that cars had, in the prementioned book he states that: “A city

made for speed is made for success” (Corbusier, 1987, p. 179). In his 1935

publication La Ville Radieuse, 4 Le Corbusier’s notions about city planning

had matured into a conceptual city, carefully dived into living, working, and

63

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