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The Rampart, The Traffic Artery, and the Park; Designing for the city regions of Antwerp

Through a close reading of Antwerp’s current spatial and socio-economic composition, and the introduction of the interplay between the city’s three defining paradigms – abstracted to ‘The Rampart, the Traffic Artery, and the Park’ – this study tries to sketch a unifying strategy for Antwerp’s metropole. A strategy that embeds residential, economic, cultural, recreational, climatic, and historical motives within the different city regions. Thereby improving the connection between the left and right side of the river; transitioning the suburban region to a more polycentric structure while maintaining a spatial relation to the city; and explicitly manages the horizontal growth of the periphery. But that most importantly, captures the metropole in a single narrative from its inner-city to its outer edges. Graduation thesis prepared for the master’s degree in urban design at the Eindhoven University of Technology.

Through a close reading of Antwerp’s current spatial and socio-economic composition, and the introduction of the interplay between the city’s three defining paradigms – abstracted to ‘The Rampart, the Traffic Artery, and the Park’ – this study tries to sketch a unifying strategy for Antwerp’s metropole. A strategy that embeds residential, economic, cultural, recreational, climatic, and historical motives within the different city regions. Thereby improving the connection between the left and right side of the river; transitioning the suburban region to a more polycentric structure while maintaining a spatial relation to the city; and explicitly manages the horizontal growth of the periphery. But that most importantly, captures the metropole in a single narrative from its inner-city to its outer edges.

Graduation thesis prepared for the master’s degree in urban design at the Eindhoven University of Technology.

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recreational zones, consisting of vertical architecture with wide open horizontal

areas for cars, cyclists, public transport, and pedestrians vertically separated

from each other (Kohlstedt, 2018).

Other contemporaries, and rivals, like Frank Loyd Wright also made grand

visions for car-use in cities. In his 1932 book, The Disappearing City, and in

the subsequent 1935 exhibition in the Rockefeller Center, Wright presented his

Broadacre City. A plan in which he proposed, having a dislike for dense industrial

cities, spread cities out into low-density neighbourhoods consisting out

of generous plots of land. Wright believed strongly in the car as an instrument

of freedom and said that there should be a “a new standard of space measurement

– the man seated in his automobile” (Robertson, 2018). Conceived

during the Great Depression, Wright never intended to build his city but rather

wanted to use it as a means of addressing social, economic, and environment

issues (Gray, 2018).

Figure 1.35

A 1950s bird’s-eye view sketch of

Broadacre city (Images of Network,

2017).

After the Second World War the influence of the car gained speed in cities

around the world. In post-war United States, the trend of flocking to the cities

during the 1940s and 1950s reversed. Thanks to low housing costs and GI Bill

benefits, even the working-class American – the veterans of the war – could

now afford to own a house. Under the heading of the American Dream,

combined with the baby boom, this development spurred unprecedented suburbanisation;

between 1948 and 1958, 85% of American homes were built

in suburbs (Elliott, 2015a). This enormous cry for houses resulted in the mass

65

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