Mail Art Periodicals - MoMA

drawing they make. The FAX-projects are an example of how the location of the
artist isn't important anymore. He an produce art at his home while it occurs
somewhere else too."
No. 7 (December 30, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages). "I
started to make a list of all the mail-artists I know that also have an E-mail
address and I realize that there are only a few I know. I am not that active with Email
yet, but what I remember from the BBS-world (I started with that in 1986 or
so) is that there is a real kind of anarchy in that world. no judgment on the quality
of what is being sent at all."
No. 8 (January 28, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages).
"When your E-mail address is out there you can get mail from anybody who
wants to react just to your 'name.' Also being mentioned in one of the E-mail
magazines means that your address gets around and that people start to send
you invitations. Good and bad ones I must say. There isn't that much difference
compared to the 'snail-mail' as mail-art has been named now."
No. 9 (April 11, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages). "I made a
two special arti-stamps so far that have to do with E-mail. One says: "I couldn't
have sent this by E-mail" to emphasize that the snail-mail is a completely
different (analog) communication form."
No. 10 (April 19, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages). "I know
of mail-artists that are starting their own homepages. I myself also have a very
small homepage with only a few lines, but the fact is that you don't mail the
homepage to your (mail-) friends. You are waiting till they come and access your
host (via Internet), and then they can just see what you made in a digital form. I
miss the interaction a bit on this front."
No. 11 (May 17, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages). "This
article I would also like to discuss the e-zines as they n(o)w appeared in he
network. The e-zines I know all consist of a text file that contains information the
editor has received or that the editor has typed himself. They are produced on
computers but are distributed like the traditional zines with one central point."
Elefanzine. Ennio Pauluzzi, Editor. Florence, Italy. 1992.
No. 14 (March 1992). Photocopy. 8 1/4"x5 3/4". (20 pages).
Contributions on the theme of elephants by Ashley Parker Owens (USA),
Christopher dodge (USA), Giovanni Strada (Italy), A.1. Waste paper Co. Ltd.
(England), Dmitriy Konstantinov (Russia), Vittore Baroni (Italy), et al.