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issue of Max. Traffic from 1991 (Dec); Silkscreened Linen Rainforest Bandana - Vol. II#12. It has a Backgammon board printed on it..." Vol. 3, No. 1 (June 1992). Photocopy. 11"x8 1/2". (32 pages). Contributions by 46 artists including afungusboy (USA), A Classic pair (USA), Jokie X. Wilson (USA), Julee Peeslee (USA), John Held, jr. (USA), Malok (USA), Ricë Freeman-Zachery (USA), et al. Second Printing. Edition 16/100. Vol. 3, No. 3 (1992). Photocopy and Rubber Stamps. 4 1/4"x5 1/2". (16 pages). "Throbbing Blob of Plasma Kept Alive by Science Comix." Contributions by John (Held, Jr.) (USA), Julee (Peeslee) (USA), Malok (USA), Xeno (USA), et al. Vol. 3, No. 4 ([1992]). Photocopy. 4 1/4"x3 3/4". (12 pages). "Neo- Psychedelic Man #2: Life Aboard Maximum Traffic." Vol. 3, No. 7 (1992). Photocopy. 8 1/2"x2 3/4". (8 pages). Contributions by <strong>Art</strong>e Ala Carte (USA), Ace Backwards (USA), Blair Wilson (USA), et al. Vol. 3, No. 12 (1992). Photocopy. 8 1/2"x3 3/4". (3 pages). Also titled, "Neo-Psychedelic Man #5." (Vol. 3, No. 15 (August 1992). See "Random Entry Comix," No. 2.") Vol. 4, No. 19 ([1993]). Photocopy. 5 1/2"x4 1/4". 40 pages. Contributions by over 30 artists including John Held, Jr. (USA), Julie Peasley (USA), Mike Diana (USA), Sasa Rakezic (Yugoslavia), Clemente Padin (Uruguay), Stephen Perkins (USA), Fucci (USA), et al. MC. David Cole and Paul Zelevansky, Editors. Brooklyn, New York. 1981-1984. No. 1 ([1981]). Offset. 11"x8 1/2". (4 pages). "The Responsibility of the <strong>Art</strong>ist in Contemporary Society." Contributions by Jack Saunders (USA), Peter Frank (USA), Crackerjack Kid (USA), Scott Helmes (USA), Klaus Peter Denker (Germany), Bern Porter (USA), Carolee Schneemann (USA), Lon Spiegelman (USA), Robin Crozier (England), et al. First issue published in New York, New York. No. 4 (March 1983). Newsprint. 17"x11 1/2". (16 pages). "MC gathers created or found material from visual artists and poets on matters political, social and economic. Submissions are in the form of one or two standard 3"x5" index cards. The index card is our building block, our metaphor and our assurance that
submissions will be clear and concise./ MC believes in politics as a day-to-day phenomenon that begins with simple exchanges of information and support and which holds in common a ground of concern that all can agree on. We are interested in a local, humanistic, thoughtful criticism which, though it aspires to beauty and harmony, should begin on the ground where experience crosses experience. We are not interested in abstractions, labels, or ideological propaganda/ Ultimately, we want MC to serve as a clearing house and retrieval system for both old and new ideas and hope that in time, readers and contributors will begin talking to each other. MC welcomes comments and inquiries from general readers as well as artists, for while MC is both visual and verbal, it is not exclusively art or literature. It is NEWS and so belongs in a public space as public work. (David Cole & Paul Zelevansky)." contributions by Carlo Pittore (USA), Klaus Groh (Germany), György Galantai (Hungary), Michael Leigh (England), Robin Crozier (England), Richard C. (USA), John M. Bennett (USA), K. S. Ernst (USA), Bern Porter (USA), David Cole (USA), Jack Saunders (USA), Peter Frank (USA), Marilyn R. Rosenberg (USA), Crackerjack Kid (USA), Ulises Carrion (Holland), et al. No. 5 (September 1983). Newsprint and Rubber Stamp. 17"x11". (12 pages). "Crime" issue. Contributions by J. P. Jacobs (USA), Michael Leigh (England), Warclaw Ropiecki (Poland), Crackerjack Kid (USA), Lon Spiegelman (USA), Joachim Frank (USA), John M. Bennett (USA), Des McLean (USA), S(ue) Fishbein (USA), John Evans (USA), Richard Meade (USA), Jack Saunders (USA), Joseph Nechvatal (Austria), Bart Boumaus (Holland), Ubaldo Giacomucci (Italy), Richard C. (USA), Robin Crozier (England), Joel Lipman (USA), Fred Truck (USA), Richard C. (USA), Ruggero Maggi (Italy), Karl Kempton (USA), David Greenberger (USA), Guy Bleus (Belgium), et al. No. 6 (January 1984). Newsprint. 11"x8 1/2". (24 pages). "Timeless Light" issue. Contributions by John M. Bennett (USA), Mark Melnicove (USA), Robert Ashworth (USA), David Zack (Mexico), Peter Frank (USA), Robin Crozier (USA), Leavenworth Jackson (USA), Scott Helms (USA), Jürgen Olbrich (Germany), Jack Saunders (USA), Joachim Frank (USA), Davi Det hompson (USA), Fred Truck (USA), Ryosuke Cohen (Japan), Michael Leigh (England0, Carol Stetser (USA), Lon Spiegelman (USA), Steve Random (USA), Paul Rutkovsky (USA), Karl Kempton (USA), et al. No. 7 (Spring 1984). Newsprint. 11"x8 1/2". (28 pages). "Map Coordinates," issue. Contributions by Daniel Daligand (France), Joel Lipman (USA), Mark Bloch (USA), Gene Laughter (USA), Cracker Jack Kid (USA), David Miller (USA), Mark Melnicove (USA), Ruth Howard (USA), Rockola (USA), David Cole (USA), Gustav Hagglund (USA), The Gerlovans (USA), Guy Bleus (Belgium), Creative Thing (USA), Alex Igloo (USA), Karl Kempton (USA), Eric Finlay (England), Private World (USA), Thierry Tillier (Belgium), Michael Groschopp (Germany), Barry Pilcher (Wales), Ulises Carrion (Holland), Salvatore da Rosa (Italy), Mick Mather (USA), Klaus Groh (Germany), Edgar Bushmiller
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
Page 189 and 190: György Galantai (Hungary), David J
Page 191 and 192: in news section include Pips (Germa
Page 193 and 194: Pat Tavenner (USA), Musicmaster (US
Page 195 and 196: No. 18 (Winter 1986/1987). Offset a
Page 197 and 198: No. 7 (February 1994). Photocopy. 1
Page 199 and 200: Live from the Stagger Cafe. Luke Mc
Page 201 and 202: "Seventh Stranger's Exhibition in O
Page 203 and 204: No. 7 (1994). Photocopy. 11 3/4"x8
Page 205 and 206: Love Letters. Sheba, Editor. Exotic
Page 207 and 208: Mail Art exhibition, "No Nukes in M
Page 209 and 210: No. 14 (n.d.). Photocopy. 5 1/2"x3
Page 211 and 212: TAM Publication 950076 (1995). Phot
Page 213 and 214: of, "The Light of the He-Art," from
Page 215 and 216: TAM Publication 960147 (March 1997)
Page 217 and 218: (Belgium) conducted by Ruud Janssen
Page 219 and 220: No. 109 (February 12, 1991). Photoc
Page 221 and 222: No. 22-24 (1989). Photocopy and Mix
Page 223 and 224: No. 25 (April, 14, 1986). Photocopy
Page 225 and 226: No. 0 (June 1981). Photocopy and Mi
Page 227 and 228: No. 58 (August 1992). Photocopy and
Page 229 and 230: No. 80 (October 1994). Photocopy an
Page 231 and 232: No. 93 (February 1996). Photocopy a
Page 233 and 234: (Italy), buZ blurr (USA), Guy Bleus
Page 235 and 236: Kid (USA), Eberhard Janke (Germany)
Page 237 and 238: No. 132 (January 2001). Photocopy a
Page 239: Musicmaster (USA), Mark Bloch (USA)
Page 243 and 244: Banquet (The Beasts at the Feast)."
Page 245 and 246: No. 7 ([1989]). Offset. 9 1/2"x8 1/
Page 247 and 248: including Géza Perneczky (Germany)
Page 249 and 250: (May 4 thru 10, 1988). Photocopy. 8
Page 251 and 252: (Germany). "Dreamtime Village" even
Page 253 and 254: Vol. 9, No. 2/3 (March/April 1996).
Page 255 and 256: RUBBER STAMP ALBUM and had been ord
Page 257 and 258: Vol. 2, No. 2 (January 1984). Offse
Page 259 and 260: Vol. 8, No. 4 (Summer 1990). Offset
Page 261 and 262: that is wide in its acceptance of m
Page 263 and 264: is the need for mail-Art shows. At
Page 265 and 266: listings compiled by Honoria (USA).
Page 267 and 268: No. 1 (July 1993). Photocopy. 16 1/
Page 269 and 270: Netshaker. Crackerjack Kid (aka Chu
Page 271 and 272: Vol. 1, No. 3 (August 16, 1994). Co
Page 273 and 274: Hamann (West Germany), Graciela Mar
Page 275 and 276: display and disseminate the product
Page 277 and 278: Gerlovans (USA). Carlo Pittore (USA
Page 279 and 280: do some research about what the oth
Page 281 and 282: TAM-970158 (January 1997). Photocop
Page 283 and 284: (October 1993). Photocopy. 8 1/2"x5
Page 285 and 286: Tisma (Yugoslavia), Toward the New
Page 287 and 288: Breeder" we say goodbye to Stu Horn
Page 289 and 290: O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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