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ingredients sent by international artists from the USA, Canada, Holland, Jugoslavia, Germany, Australia..." Neo-Nooze. Oz (aka David Zack), Editor. Immortality Center, Tepoztlan, Mexico. 1984. (April 20, 1984). Photocopy. 13 1/2"x8 1/2". 12 pages. "I'm a little at a loss to write on this OOZE, because the photos are so pretty also there's a pile of scraps to mosaic with. However, it makes sense to mix mail with the images of Tepoztlan because what comes in the mail here is as much HERE as what goes on here at the Immortality Centre..." Listing of "Correspondence Novels." Contributions by Cavellini (Italy) and Volker Hamann (Germany). "The two collages were sent by Volker Haman, German Correspondent who has organized a project in Tokokoe, Ghana, Africa, that has mail artists also working on a U. N. water project." (May 10, 1984). 11"x8 1/2". (6 pages). "My mail today is really interesting. This often happens. The mail as a whole is just very interesting. So I'm listening to Rod Summers' tape of birds and going to go through the mail piece by piece, and consider its network relations. Then I can use these pages and collage them a little so they look like art, or rather actually to put images into play with the words, as you might electronically. I used little pictures before, in Lomholt's Danish book, ART AND ARTISTS, on Cavellini, Robin Crozier, Ulisses Carrion, Davi de Thompson, Horacio Zabala and me." (June 21, 1984). Photocopy and Rubber Stamp. 11"x 8 1/2". 9 pages. An open letter to recent correspondents of the editor. "Leavenworth. Hm how ya doin? Where yuh been? Ah, I bet I've used "Sheesh" a hundred fifty times now, each one part of the hm CN*ah 5 here, LEAVENWORTH JACKSON ILLUSTRATOR. Hm well you see I got that cute little photo stamp of you and Held Jr. in front of the giant Cavellini stamp, really appreciate this sort of art. McGuff is out of words, or I think getting onto walls with spray paint. Mad fool! My highest compliment, or right up there anyhow." Personal letter to Luke McGuff (USA) on last page. Neo-Psychedelic Man. Maximum Traffic, Editor. Butler, Pennsylvania. (1992.) No. 1 ([1992]). Photocopy. 5 1/2"x4 1/4". (16 pages). More from the editor of "Maximum Traffic." Net-Informer: Monthly Networking Newsletter. Andrea Ovcinnicoff, Editor. Genova, Italy. 1993-1996.
No. 1 (July 1993). Photocopy. 16 1/2"x11 3/4". (2 pages). Continuation of the editor's previous publication, "Arte Arte." Exhibition, publication and project opportunities. Publication reviews. "Events." Edition of 85. No. 12 (June 1994). Photocopy. 16 1/2"x11 3/4". (2 pages). Exhibition, publication and project opportunities. Publication reviews. "Events" listings include "Free Dogs in the Galaxy" congress in Florence, Italy, organized by Gianni Broi (Italy); and a program organized in Quebéc, Canada, by Jean- Claude Gagnon (Canada). No. 14 (August 1994). Photocopy. 16 1/2"x11 3/4". (2 pages). Exhibition, publication and project opportunities. Publication reviews. Other sections over events, messages, and documentation. No. 15 (September 1994). Photocopy. 16 1/2"x11 3/4". (2 pages). Exhibition, publication and project opportunities. Publication reviews. "Messages" section mentions Peter and Angela Netmail (Germany) in Indonesia. Reproduction of "Faux Post" exhibition invitation with stamps by A1 Waste Paper Company Ltd., (England). No. 69 (April 1995). Photocopy. 16 1/2"x11 3/4". (2 pages). Special section on Ray Johnson (USA), includes tributes by Franco Santini (Italy), Gianni Broi (Italy), Honoria (USA). Mail Art exhibition, publication and project opportunities. Publication reviews. Events. Messages. No. 71 (June 1995). Photocopy. 16 1/2"x11 3/4". (2 pages). Exhibition, publication and project opportunities. Publication reviews. "Networker Telenetlink Year 1995" proposal by Chuck Welch (USA). Events include notice of the exhibition "Banco de Ideas Z: Artists Publications from Cuba," at Modern Realism Gallery, Dallas, Texas. No. 72 (1995). Photocopy. 16 1/2"x11 3/4". (2 pages). Exhibition, publication and project opportunities. Publication reviews. "Evoluzione del Telenetlink Project," by Chuck Welch (USA). Events section notes a recent trip of Clemente Padin (Uruguay) to Chile to meet with Hans Braumüller. No. 75 (October 1995). Photocopy. 16 1/2"x11 3/4". (2 pages). Exhibition, publication and project opportunities. Publication reviews. Notice of the activities of The Stamp Art Gallery, San Francisco, in "Events" section. No. 76 (November 1995). Photocopy. 16 1/2"x11 3/4". (2 pages). Exhibition, publication and project opportunities. Publication reviews. Special mention of "Global Mail," with reproduction of recent cover.
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
Page 215 and 216: TAM Publication 960147 (March 1997)
Page 217 and 218: (Belgium) conducted by Ruud Janssen
Page 219 and 220: No. 109 (February 12, 1991). Photoc
Page 221 and 222: No. 22-24 (1989). Photocopy and Mix
Page 223 and 224: No. 25 (April, 14, 1986). Photocopy
Page 225 and 226: No. 0 (June 1981). Photocopy and Mi
Page 227 and 228: No. 58 (August 1992). Photocopy and
Page 229 and 230: No. 80 (October 1994). Photocopy an
Page 231 and 232: No. 93 (February 1996). Photocopy a
Page 233 and 234: (Italy), buZ blurr (USA), Guy Bleus
Page 235 and 236: Kid (USA), Eberhard Janke (Germany)
Page 237 and 238: No. 132 (January 2001). Photocopy a
Page 239 and 240: Musicmaster (USA), Mark Bloch (USA)
Page 241 and 242: submissions will be clear and conci
Page 243 and 244: Banquet (The Beasts at the Feast)."
Page 245 and 246: No. 7 ([1989]). Offset. 9 1/2"x8 1/
Page 247 and 248: including Géza Perneczky (Germany)
Page 249 and 250: (May 4 thru 10, 1988). Photocopy. 8
Page 251 and 252: (Germany). "Dreamtime Village" even
Page 253 and 254: Vol. 9, No. 2/3 (March/April 1996).
Page 255 and 256: RUBBER STAMP ALBUM and had been ord
Page 257 and 258: Vol. 2, No. 2 (January 1984). Offse
Page 259 and 260: Vol. 8, No. 4 (Summer 1990). Offset
Page 261 and 262: that is wide in its acceptance of m
Page 263 and 264: is the need for mail-Art shows. At
Page 265: listings compiled by Honoria (USA).
Page 269 and 270: Netshaker. Crackerjack Kid (aka Chu
Page 271 and 272: Vol. 1, No. 3 (August 16, 1994). Co
Page 273 and 274: Hamann (West Germany), Graciela Mar
Page 275 and 276: display and disseminate the product
Page 277 and 278: Gerlovans (USA). Carlo Pittore (USA
Page 279 and 280: do some research about what the oth
Page 281 and 282: TAM-970158 (January 1997). Photocop
Page 283 and 284: (October 1993). Photocopy. 8 1/2"x5
Page 285 and 286: Tisma (Yugoslavia), Toward the New
Page 287 and 288: Breeder" we say goodbye to Stu Horn
Page 289 and 290: O. Ghislain Belmans, Johan Sanctoru
Page 291 and 292: Occasional, Tuesday-Art News. Georg
Page 293 and 294: Vol. 27, No. 3 (Issue 37) (Summer 1
Page 295 and 296: Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298: No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300: (USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302: Ruth and Marvin Sackner (USA), Seie
Page 303 and 304: Strada (Italy), Peter W. Kaufmann (
Page 305 and 306: No. 72 (1992). Photocopy. 8 1/4"x5
Page 307 and 308: very dear guest here last days of O
Page 309 and 310: No. 93 (1997). Photocopy. 8 1/4"x5
Page 311 and 312: years!...then Austro-Ungarian (empi
Page 313 and 314: about extraordinary TIME of CHANGE
Page 315 and 316: Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
Page 479 and 480:
Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522:
Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
Page 527 and 528:
Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530:
TV. Terence McMahon, Editor. The Fa
Page 531 and 532:
No. 9 (August-September). Newsprint
Page 533 and 534:
Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
Page 539 and 540:
stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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